一農 Yinon

ONE@TOKYO位在東京都押上站附近，由材料運用大師隈研吾所操刀設計，迎賓大門立面及露台機房外飾面皆以木構板材搭配不鏽鋼鐵件構成。旅店內充滿著角型元素所構成的設施，如迎賓大門刻意斜向形塑成三角形的風除室、一樓大廳家具、露台動線甚至是房間收納空間等，強烈展現建築師特有的風格。 ONE@TOKYO is located near Oshiage Station in Tokyo and is designed by master of material application Kengo Kuma. The entrance facade and the exterior of the terrace machinery room are constructed with wooden panels combined with stainless steel components. The hotel is filled with facilities composed of angular elements, such as the intentionally slanted triangular shape of the entrance vestibule, the furniture in the first-floor lobby, the flow of the terrace, and even the storage space in the rooms, all strongly showcasing the architect's unique style.

『南華微光』 基地原址為南華國小，停辦後轉型為無人機專業操作訓練場與農創基地。設計團隊融入北大武山山脈稜線的起伏與霧氣沿山嵐草坡而下的記憶，重現在這片場域。 本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。 設計單位：一起設計Atelier Let’s+丁尺建築師事務所JR Architects 設計顧問：和光接物環境建築設計 結構設計：圓剛工程顧問有限公司 燈光設計：瓦豆WEDO Lighting 植栽設計：原生環境設計整合 施工單位：久騰營造有限公司 『南華微光』 基地原址為南華國小，停辦後轉型為無人機專業操作訓練場與農創基地。設計團隊融入北大武山山脈稜線的起伏與霧氣沿山嵐草坡而下的記憶，重現在這片場域。 本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。 The original site of the base was Nan Hua Elementary School, which was transformed into a professional drone operation training ground and an agricultural innovation base after its closure. The design team incorporated the undulating ridges of the Beidawu Mountain range and the memory of mist flowing down the grassy slopes, recreating this landscape. The color tone in this piece presents a lower saturation, aiming to respond to the poetic quality of the landscape, reminiscent of ink wash painting.

以「水之庭園」意象貫穿虹夕諾雅 谷關的庭院景觀，引天然山泉創造蜿蜒河道，疊水慢流的節奏使水面始終保持通透鏡亮，無論在池畔區、圖書室、餐廳及砌茶室等場所皆能與水親近，藉此感受靜謐恬適的空間與氛圍。 景觀 studio on site/建築 東環境建研所/燈光 ICE都市環境照明 The courtyard landscape of Hoshinoya in Guguan is infused with the imagery of a "Water Garden." It features natural mountain springs that create winding waterways, and the gentle flow of water maintains a clear and bright surface. Whether in the pond area, library, restaurant, or tea room, guests can be close to the water, allowing them to experience a tranquil and comfortable space and atmosphere. Landscape by studio on site / Architecture by Dong Environment Research Institute / Lighting by ICE Urban Environment Lighting.

明治神宮在2020年已邁入100周年，神宮建造時，計畫未來能成為完全的仿生自然林。７０公頃的林木的種植計畫是仿造自然生態的自生自滅、自給自足「自然更新」法，經過精密計算樹木盛衰營造所要的林相景觀，初建期以代表權威的松樹群為主樹層，數十年後柏樹群成為上層主樹，接著百年後是常綠喬木闊葉樹，如椎樹、橡樹、櫧樹、楠樹、樟樹、櫟樹等，從全國各地募集這些適合東京地形氣候溫度等，當時還有從中國東北部朝鮮國等進口樹種。 Meiji Shrine celebrated its 100th anniversary in 2020. When the shrine was constructed, the plan was to eventually create a fully biomimetic natural forest. The 70-hectare tree planting plan was designed to mimic the self-sustaining and self-renewing "natural regeneration" method of natural ecosystems. Through precise calculations of tree growth and decline, the desired forest landscape was created. In the initial phase, the dominant tree layer consisted of authoritative pine trees, and after several decades, cedar trees became the upper dominant layer. A century later, evergreen broadleaf trees such as chinquapin, oak, zelkova, camphor, and other species would take over. Trees suitable for Tokyo's terrain and climate were collected from various regions across the country, and at that time, tree species were also imported from Northeast China and Korea.

對於一片封塵二十餘年的土地，我們有甚麼盼望，又會賦予它甚麼想像…一直以來這是我們在規劃時不停思索的課題，並且設計時咀嚼在地元素的反饋，我想這就是我們對這片土地的尊重，以及展現地景地貌的關懷。

士林萬麗，為萬豪集團旗下首次入駐台灣的品牌，由皇翔建設BOT承攬發包。由於置身於士林官邸旁，在裝潢設計上也融合了在地特色，將士林官邸裡的玫瑰和蝴蝶運用光影裝飾，點綴在穿廊與房間的各個角落。

飯店位在科隆老城區中心，為一座歷史悠久的水塔改建而成，總樓高35公尺，頂樓為餐廳及酒廊。

艾麗，由國泰集團二代－寒舍主人的夫人命名，飯店由HBA Hirsch Bedner Associates全球最大設計顧問之一負責室內設計，營造城市中的花園為主題，呈現細緻優雅的空間氛圍，館內匯集國際藝術家經典作品，讓藝術創作融入空間詮釋，致力於打造「藝術即生活」及「生活即藝術」的品味哲學。