時空暗線 the dark line

仿效西班牙Tussols Basil Athletics Stadium田徑場旁休憩平台，以鏽蝕鋼筋格柵的高架鋪面取代原有車輛路徑，遊客可近距離觀察鋪面下方被保留的原始地貌，同時也拉開與生物棲地形塑喘息空間，伴隨兩旁感應式的間接光，使遊客沉浸在隧道內疊水逕流與光影交織。 Inspired by the resting platform next to the Tussols Basil Athletics Stadium in Spain, the original vehicle path is replaced with an elevated surface made of rusted steel grating. Visitors can closely observe the preserved original terrain beneath the surface, while also creating a breathing space away from the biological habitat. Accompanied by indirect lighting on both sides that responds to movement, visitors are immersed in the interplay of flowing water and light and shadow within the tunnel.

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大溪威斯汀THE WESTIN TASHEE RESORT TAOYUAN

以峇厘島風格為主題的度假酒店，由笠復投資斥資近40億，歷經三年多改建昔日政商雲集的鴻禧大溪別館，由萬豪集團旗下喜達屋集團的招牌威斯汀酒店經營管理。

Chubby ELF_OPENING PARTY

胖精靈 Chubby-ELF 精品花藝婚禮佈置 / 乾燥花 /花藝教學/ 整體視覺規劃設計

南華微光 ◼ 大武山脈下的幾何山水

『南華微光』基地原址為南華國小，停辦後轉型為無人機專業操作訓練場與農創基地。設計團隊融入北大武山山脈稜線的起伏與霧氣沿山嵐草坡而下的記憶，重現在這片場域。本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。設計單位：一起設計Atelier Let’s+丁尺建築師事務所JR Architects 設計顧問：和光接物環境建築設計結構設計：圓剛工程顧問有限公司燈光設計：瓦豆WEDO Lighting 植栽設計：原生環境設計整合施工單位：久騰營造有限公司『南華微光』基地原址為南華國小，停辦後轉型為無人機專業操作訓練場與農創基地。設計團隊融入北大武山山脈稜線的起伏與霧氣沿山嵐草坡而下的記憶，重現在這片場域。本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。 The original site of the base was Nan Hua Elementary School, which was transformed into a professional drone operation training ground and an agricultural innovation base after its closure. The design team incorporated the undulating ridges of the Beidawu Mountain range and the memory of mist flowing down the grassy slopes, recreating this landscape. The color tone in this piece presents a lower saturation, aiming to respond to the poetic quality of the landscape, reminiscent of ink wash painting.

古根漢美術館Guggenheim Museum

古根漢博物館位於紐約上東區，緊鄰中央公園，博物館由Frank Lloyd Wright 所設計。整體來說館內作品以個人收藏為主，單論作品及票價對一般遊客而言，或許MOMA會更為適合，古根漢吸引我的反而是藉由迴廊空間去閱讀遊客賞析作品與互動的表情。

山妍四季 FOUR SEASONS RESORT BALI AT SAYAN

由建築師John Heah所設計的山妍四季酒店，迎賓入口藉由鋼骨木板橋連接山崖及水盤狀構成飯店大廳主體，兩側延展出各式套房;水盤圓頂為一生態池塘，水面倒映著山谷風貌，將建築巧妙地融入大自然，下層的大廳直視棕梠樹冠層，形成絕佳的綠蔭框景。 The Shanyan Four Seasons Hotel, designed by architect John Heah, features a welcoming entrance connected by a steel and wooden bridge that links the cliff and a water basin, forming the main structure of the hotel lobby. On either side, various suites extend outwards; the dome of the water basin serves as an ecological pond, with its surface reflecting the valley's landscape, cleverly integrating the architecture with nature. The lower lobby offers a direct view of the palm tree canopy, creating an excellent green-framed scene.

SUMIDA RIVER WALK

SUMIDA RIVER WALK連結淺草與晴空塔的步行路徑，特色是跟鐵道架橋共構，所以經過時不時會有著電車震動的共鳴。從淺草方向出發的話，可不用看導航輕易的將晴空塔當遠方標的行走，且在橋上伴隨著上方電車與下方川流的船舶行駛十分有趣。 The SUMIDA RIVER WALK connects Asakusa with the Tokyo Skytree, featuring a walking path that is integrated with the railway bridge, so you can occasionally feel the vibrations from passing trains. If you start from the Asakusa direction, you can easily walk towards the Skytree without needing to look at a map, and it is quite interesting to see the trains above and the boats flowing below as you walk on the bridge.

世貿中心站world trade center station

站體位在2001年發生911恐怖攻擊的世貿大樓舊址，由西班牙知名建築師Santiago Calatrava所設計，外觀像是一隻展翅高飛的鴿子，象徵浴火重生的曼哈頓，從恐怖攻擊的陰霾中重新燃起希望。 The station is located at the former site of the World Trade Center, where the 9/11 terrorist attacks occurred in 2001. Designed by the renowned Spanish architect Santiago Calatrava, its exterior resembles a dove soaring high with its wings spread, symbolizing Manhattan's rebirth from the ashes, reigniting hope after the shadow of the terrorist attacks.

蝶舞澗 The Tale Of Butterfly

在2022的年末安排了一宿露營，很幸運的避開人潮時段，以近乎包場的品質沉浸在山林間的寧靜。

ONE@TOKYO位在東京都押上站附近，由材料運用大師隈研吾所操刀設計，迎賓大門立面及露台機房外飾面皆以木構板材搭配不鏽鋼鐵件構成。旅店內充滿著角型元素所構成的設施，如迎賓大門刻意斜向形塑成三角形的風除室、一樓大廳家具、露台動線甚至是房間收納空間等，強烈展現建築師特有的風格。 ONE@TOKYO is located near Oshiage Station in Tokyo and is designed by master of material application Kengo Kuma. The entrance facade and the exterior of the terrace machinery room are constructed with wooden panels combined with stainless steel components. The hotel is filled with facilities composed of angular elements, such as the intentionally slanted triangular shape of the entrance vestibule, the furniture in the first-floor lobby, the flow of the terrace, and even the storage space in the rooms, all strongly showcasing the architect's unique style.

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