Museum of Modern Art
現代藝術博物館是一所在美國紐約市曼哈頓中城的博物館，也是世界上最傑出的現代藝術收藏之一。位於曼哈頓西第53街，在第五和第六大道之間，此博物館經常與大都會博物館相提並論，雖館藏少於前者，但在現代藝術的領域裡，該館擁有較多重要的收藏。
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赤坂 Akasaka K Tower
2017
K Tower位在東京都港區赤坂町商辦大樓林立的都市空間內，景觀由總部同位在赤坂的LANDSCAPE DESIGN事務所設計，以仿似瑪雅古文明的染色預鑄混凝土板堆砌而成的端景，搭配三面磨石子的鏡面水景，藉此對應現代簡約的格狀建築立面，除本身極富視覺感的表情，更能體現出極緻的工藝品質與職人精神。
K Tower is located in a bustling urban space filled with office buildings in Akasaka, Minato, Tokyo. The landscape was designed by the LANDSCAPE DESIGN office, which is also based in Akasaka. It features a striking end view made of dyed precast concrete panels that resemble ancient Mayan civilization, complemented by a three-sided polished stone mirror water feature. This design corresponds to the modern minimalist grid facade of the building, showcasing not only a visually rich expression but also embodying exquisite craftsmanship and the spirit of artisanship.
月世界
2020
漁光島
2019
中目黑
2025
Chubby ELF_OPENING PARTY
2022
胖精靈 Chubby-ELF 精品花藝
婚禮佈置 / 乾燥花 /花藝教學/ 整體視覺規劃設計
關稅同盟煤礦工業 kokerei zollverein
2018
關稅同盟煤礦工業建築群位於德國埃森北部，為歷史性工業紀念物，並在2001年為聯合國教科文組織指定世界遺產，同年成立關稅同盟發展責任有限公司，如關稅同盟基金會與工業紀念物歷史文化保存基金會等，為這個已不再運作的工業建築群作保存與再利用。
科隆主教座堂Kölner Dom
2018
科隆主教座堂，位於德國科隆的一座天主教主教座堂。157公尺高的鐘樓使得它成為德國第二（僅次於烏爾姆市的烏爾姆主教座堂）、世界第三高的教堂，另外也是世界上第三大的哥德式教堂（前兩位是塞維亞主教座堂和米蘭主教座堂），它以法國蘭斯主教堂和亞眠主教座堂為範本，是德國第一座完全按照法國哥特盛期樣式建造的教堂。
The Cologne Cathedral, located in Cologne, Germany, is a Roman Catholic cathedral. Its bell tower, standing at 157 meters high, makes it the second tallest church in Germany (after the Ulm Cathedral) and the third tallest in the world. Additionally, it is the third largest Gothic cathedral in the world, following the Seville Cathedral and the Milan Cathedral. It was modeled after the French cathedrals of Reims and Amiens and is the first church in Germany built entirely in the French High Gothic style.
KITAYA PARK北谷公園
2024
北谷公園『Kitaya Park』為東急集團、株式會社與日建設計所組團隊於2021年改造完成，配合近年東京都修改都市公園法， Park-PFI公募設置管理制度，賦予私人企業開發與經營權，換取公共空間的改善或公共建設的互利模式，尤其北谷公園這塊從原有法定容積2%上限值提高至12%，更對原有腹地不大的地塊成為一大助力。
北谷公園的另一大特色為地形的高低段位差，地塊設計利用花台與階梯的錯落保留了通透的視野，而視野最佳的位置則留給了目前外包經營的Blue Bottle。本案從前期開發整合到因應地形設計至最後運營管理皆全盤考慮，使北谷公園雖為口袋鄰里公園尺度，但軟硬體兼顧的全方位策略是極其成功的關鍵因素。
Kitaya Park was transformed in 2021 by a team from the Tokyu Group and Nikken Sekkei. This project aligns with recent amendments to Tokyo's Urban Park Law, which introduced the Park-PFI public offering management system, granting private enterprises the rights to develop and operate parks in exchange for improvements to public spaces or mutual benefits in public construction. Notably, the allowable floor area ratio for Kitaya Park was increased from the original statutory limit of 2% to 12%, providing significant support for the relatively small plot of land.
Another major feature of Kitaya Park is the variation in elevation across the terrain. The design of the site incorporates flower beds and staggered steps to maintain an open view, with the best vantage point reserved for the currently outsourced operator, Blue Bottle. The project considered everything from initial development integration to terrain-responsive design and final operational management, making Kitaya Park, despite its small neighborhood park scale, a highly successful example of a comprehensive strategy that balances both soft and hard elements.
南華微光 ◼ 大武山脈下的幾何山水
2022
『南華微光』
基地原址為南華國小，停辦後轉型為無人機專業操作訓練場與農創基地。設計團隊融入北大武山山脈稜線的起伏與霧氣沿山嵐草坡而下的記憶，重現在這片場域。
本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。
設計單位：一起設計Atelier Let’s+丁尺建築師事務所JR Architects
設計顧問：和光接物環境建築設計
結構設計：圓剛工程顧問有限公司
燈光設計：瓦豆WEDO Lighting
植栽設計：原生環境設計整合
施工單位：久騰營造有限公司
『南華微光』
基地原址為南華國小，停辦後轉型為無人機專業操作訓練場與農創基地。設計團隊融入北大武山山脈稜線的起伏與霧氣沿山嵐草坡而下的記憶，重現在這片場域。
本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。
The original site of the base was Nan Hua Elementary School, which was transformed into a professional drone operation training ground and an agricultural innovation base after its closure. The design team incorporated the undulating ridges of the Beidawu Mountain range and the memory of mist flowing down the grassy slopes, recreating this landscape.
The color tone in this piece presents a lower saturation, aiming to respond to the poetic quality of the landscape, reminiscent of ink wash painting.
山妍四季 FOUR SEASONS RESORT BALI AT SAYAN
2017
由建築師John Heah所設計的山妍四季酒店，迎賓入口藉由鋼骨木板橋連接山崖及水盤狀構成飯店大廳主體，兩側延展出各式套房;水盤圓頂為一生態池塘，水面倒映著山谷風貌，將建築巧妙地融入大自然，下層的大廳直視棕梠樹冠層，形成絕佳的綠蔭框景。
The Shanyan Four Seasons Hotel, designed by architect John Heah, features a welcoming entrance connected by a steel and wooden bridge that links the cliff and a water basin, forming the main structure of the hotel lobby. On either side, various suites extend outwards; the dome of the water basin serves as an ecological pond, with its surface reflecting the valley's landscape, cleverly integrating the architecture with nature. The lower lobby offers a direct view of the palm tree canopy, creating an excellent green-framed scene.