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2016
360顧名思義就是有360度全景,位於約翰漢考克中心 94 樓的觀景台,設置可傾斜達30的玻璃瞭望平台,可從 1000 英尺的高度俯瞰市景。
礁溪寒沐 MU JIAO XI
2019
以大地為家的MU LIFE,礁溪寒沐酒店承襲寒舍美學、人文和藝術兼具的獨到品味。委託蔡佳葳、申亮、雪松等台灣藝術家形塑文化藝廊,並與操刀首爾四季、西安君悅、鉑爾曼開封等頂級酒店的設計團隊LTW DESIGNWORKS合作,將當代藝術策展概念融合在地文化,營造優雅與高品味的度假休閒氛圍!
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世貿中心站world trade center station
2016
站體位在2001年發生911恐怖攻擊的世貿大樓舊址,由西班牙知名建築師Santiago Calatrava所設計,外觀像是一隻展翅高飛的鴿子,象徵浴火重生的曼哈頓,從恐怖攻擊的陰霾中重新燃起希望。 The station is located at the former site of the World Trade Center, where the 9/11 terrorist attacks occurred in 2001. Designed by the renowned Spanish architect Santiago Calatrava, its exterior resembles a dove soaring high with its wings spread, symbolizing Manhattan's rebirth from the ashes, reigniting hope after the shadow of the terrorist attacks.
KITAYA PARK北谷公園
2024
北谷公園『Kitaya Park』為東急集團、株式會社與日建設計所組團隊於2021年改造完成,配合近年東京都修改都市公園法, Park-PFI公募設置管理制度,賦予私人企業開發與經營權,換取公共空間的改善或公共建設的互利模式,尤其北谷公園這塊從原有法定容積2%上限值提高至12%,更對原有腹地不大的地塊成為一大助力。 北谷公園的另一大特色為地形的高低段位差,地塊設計利用花台與階梯的錯落保留了通透的視野,而視野最佳的位置則留給了目前外包經營的Blue Bottle。本案從前期開發整合到因應地形設計至最後運營管理皆全盤考慮,使北谷公園雖為口袋鄰里公園尺度,但軟硬體兼顧的全方位策略是極其成功的關鍵因素。 Kitaya Park was transformed in 2021 by a team from the Tokyu Group and Nikken Sekkei. This project aligns with recent amendments to Tokyo's Urban Park Law, which introduced the Park-PFI public offering management system, granting private enterprises the rights to develop and operate parks in exchange for improvements to public spaces or mutual benefits in public construction. Notably, the allowable floor area ratio for Kitaya Park was increased from the original statutory limit of 2% to 12%, providing significant support for the relatively small plot of land. Another major feature of Kitaya Park is the variation in elevation across the terrain. The design of the site incorporates flower beds and staggered steps to maintain an open view, with the best vantage point reserved for the currently outsourced operator, Blue Bottle. The project considered everything from initial development integration to terrain-responsive design and final operational management, making Kitaya Park, despite its small neighborhood park scale, a highly successful example of a comprehensive strategy that balances both soft and hard elements.
曾文溪渡槽橋
2020
烏山頭水庫暨嘉南大圳水利系統完工於西元1930 年,由嘉南大圳之父-八田與一設計,曾文溪渡槽橋建造於1929 年,為嘉南大圳水利系統南幹線其中一座輸水橋樑,渡槽為跨越河渠、溪谷、窪地和道路的架空水槽,曾文溪渡槽橋除輸水之外,曾文溪渡槽橋曾經為省道台一線的連接橋梁,兼具「輸水管路」和「交通道路」兩種功能。
TEAMLAB PLANETS TOKYO
2018
teamLab是創立於2001年的藝術團隊,由跨領域專業人士聚集而成,目標通過共同創作的行為融合藝術、科學、技術、設計、以及自然界。團隊成員包括藝術家、工程師、CG動畫師、數學家、建築師等。豐洲展館為2018年開幕,集結光影體感的藝術作品,本館更加入了水的互動元素,重置人的感官體驗,與作品融為一體。「Plants是為了讓人重新思考與世界的關係,盡力將每個作品做到極致,使人忘我地沉浸其中」-teamLab創辦人 豬子壽之 teamLab is an art collective founded in 2001, composed of professionals from various fields, aiming to integrate art, science, technology, design, and nature through collaborative creation. The team includes artists, engineers, CG animators, mathematicians, architects, and more. The Toyosu Pavilion, which opened in 2018, features art installations that combine light, shadow, and sensory experiences, and incorporates interactive water elements to reset human sensory experiences, merging the audience with the artwork. "Plants is designed to encourage people to rethink their relationship with the world, striving to perfect each piece so that one can immerse themselves and lose track of time," said teamLab founder Toshiyuki Inoko.
中央車站Grand Central Terminal
2016
位於美國紐約市曼哈頓中城,為大都會北方鐵路的地下化鐵路車站,可與紐約地鐵的大中央-42街車站轉乘7號線、萊辛頓大道線及S線。該站占地面積48英畝,與賓夕法尼亞車站同為大紐約地區重要的交通樞紐,也是美國最繁忙、最著名的鐵路車站之一。
科布倫次Koblenz
2018
位于德國萊茵蘭.普法爾茨州的科布倫茨市,是1777年至1786年間由選帝侯Clemens Wenzeslaus下令興建法國樣式的古典復興建築。選帝侯宮最初是特裏爾末代選帝侯及總主教Clemens Wenzeslaus的官邸,隨後由王儲暨德意志帝國皇帝威廉壹世居住,充當軍事指揮部,自此由官邸改稱選帝侯宮。自2002年成爲世界文化遺産“萊茵河中上遊”的一部分,以幾何刺繡花壇最為知名。
ONE@TOKYO
2018
ONE@TOKYO位在東京都押上站附近,由材料運用大師隈研吾所操刀設計,迎賓大門立面及露台機房外飾面皆以木構板材搭配不鏽鋼鐵件構成。旅店內充滿著角型元素所構成的設施,如迎賓大門刻意斜向形塑成三角形的風除室、一樓大廳家具、露台動線甚至是房間收納空間等,強烈展現建築師特有的風格。 ONE@TOKYO is located near Oshiage Station in Tokyo and is designed by master of material application Kengo Kuma. The entrance facade and the exterior of the terrace machinery room are constructed with wooden panels combined with stainless steel components. The hotel is filled with facilities composed of angular elements, such as the intentionally slanted triangular shape of the entrance vestibule, the furniture in the first-floor lobby, the flow of the terrace, and even the storage space in the rooms, all strongly showcasing the architect's unique style.
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