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呂德斯海姆Rudesheim
2018
呂德斯海姆建於12世紀,當時已是通往萊茵河中流山谷的大門。有「酒城」之稱的呂德斯海姆是萊茵河上的樂園,這裡是萊茵區的中心區,也稱葡萄酒區,年產2700萬瓶葡萄酒。河畔為了維持景觀和諧,都沒有任何橋梁,靠渡輪往來兩岸。
麗思卡爾頓 Mandapa, A Ritz-Carlton Reserve
2017
MANDAPA 為梵語中廟宇的意思,傳說將巨石劈開成兩半,就能形成一道阻擋惡魔進入的門,酒店大門也以此概念設計。酒店周圍環繞熱帶雨林、梯田和阿漾河(Ayung River)美景,由23棟一房泳池別墅、RESERVE二房泳池別墅、MANDAPA三房泳池別墅、25間RESERVE套房和10間MANDAPA套房組成,整體空間佈局順應當地天然地貌與型塑出細思極恐的爪哇文化。酒店由馬來西亞 DESIGNWILKS 事務所主持人 Jeffrey Wilkes所操刀設計。
高原教堂
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淚滴公園 TEARDROP PARK
2016
位處曼哈頓島下城區的淚滴公園,為100%人造公園,基盤為填海造陸而成,四周環繞建築群樓。也鑑於此,設計師運用北端較高的地勢與脫離南端的建築,因而得以留設較大面的草坪空間,藉此將陽光引入。而南北之間隔著一道人工砌石牆,兼具收拾地勢高差與彰顯四季變換的表情。每塊石頭加工後依照設計線條於礦場試排模擬,最後再運至公園內按編號砌築。 Tear Drop Park, located in the Lower Manhattan area, is a 100% man-made park, built on land reclaimed from the sea, surrounded by a cluster of buildings. Given this context, the designer utilized the higher terrain at the northern end and the separation from the buildings at the southern end to create a larger lawn space, allowing sunlight to enter. A man-made stone wall separates the north and south, serving both to manage the elevation difference and to highlight the changing seasons. Each stone was processed and arranged according to design lines in a quarry for simulation, and then transported to the park to be constructed according to a numbering system.
赤坂 Akasaka K Tower
2017
K Tower位在東京都港區赤坂町商辦大樓林立的都市空間內,景觀由總部同位在赤坂的LANDSCAPE DESIGN事務所設計,以仿似瑪雅古文明的染色預鑄混凝土板堆砌而成的端景,搭配三面磨石子的鏡面水景,藉此對應現代簡約的格狀建築立面,除本身極富視覺感的表情,更能體現出極緻的工藝品質與職人精神。 K Tower is located in a bustling urban space filled with office buildings in Akasaka, Minato, Tokyo. The landscape was designed by the LANDSCAPE DESIGN office, which is also based in Akasaka. It features a striking end view made of dyed precast concrete panels that resemble ancient Mayan civilization, complemented by a three-sided polished stone mirror water feature. This design corresponds to the modern minimalist grid facade of the building, showcasing not only a visually rich expression but also embodying exquisite craftsmanship and the spirit of artisanship.
Greenacre Park
2016
Greenacre Park沿街寬約18米,進深約36米,作為一個良好的城市公共空間,巧妙利用的園林樹木和植物,結合水景地形,形成豐富多層次的休閒空間。由景觀設計事務所Sasaki的創始人佐佐木英夫設計。 Greenacre Park is approximately 18 meters wide along the street and about 36 meters deep. As a well-designed urban public space, it cleverly utilizes landscaped trees and plants, combined with water features, to create a rich and multi-layered recreational area. It was designed by Hideo Sasaki, the founder of the landscape design firm Sasaki.
樁森 Tsubakimori Komuna
2022
樁森為在千葉市中心,與千葉公園隔著一條高架電車路網,為一袖珍型開放空間。樁森內宛若家院般的元素隨處可見,樹屋、吊床、帳篷以及錯落的座椅配置等,可隨著地上枕木的交錯引導至各處的小屋節點,也可踩踏著碎木塊及樹木皮鬆填材,隨興的找塊角落歇憩。 Tsang Sen is a miniature open space located in the center of Chiba City, separated from Chiba Park by an elevated tram network. Elements reminiscent of a home garden can be found throughout Tsang Sen, including tree houses, hammocks, tents, and scattered seating arrangements. Visitors can navigate through various small cabin nodes guided by the interspersed wooden sleepers on the ground, or they can step on the wood chips and loose tree bark filling materials to casually find a corner to rest.
關稅同盟煤礦工業 kokerei zollverein
2018
關稅同盟煤礦工業建築群位於德國埃森北部,為歷史性工業紀念物,並在2001年為聯合國教科文組織指定世界遺產,同年成立關稅同盟發展責任有限公司,如關稅同盟基金會與工業紀念物歷史文化保存基金會等,為這個已不再運作的工業建築群作保存與再利用。
代官山T-Site
2025
TEAMLAB PLANETS TOKYO
2018
teamLab是創立於2001年的藝術團隊,由跨領域專業人士聚集而成,目標通過共同創作的行為融合藝術、科學、技術、設計、以及自然界。團隊成員包括藝術家、工程師、CG動畫師、數學家、建築師等。豐洲展館為2018年開幕,集結光影體感的藝術作品,本館更加入了水的互動元素,重置人的感官體驗,與作品融為一體。「Plants是為了讓人重新思考與世界的關係,盡力將每個作品做到極致,使人忘我地沉浸其中」-teamLab創辦人 豬子壽之 teamLab is an art collective founded in 2001, composed of professionals from various fields, aiming to integrate art, science, technology, design, and nature through collaborative creation. The team includes artists, engineers, CG animators, mathematicians, architects, and more. The Toyosu Pavilion, which opened in 2018, features art installations that combine light, shadow, and sensory experiences, and incorporates interactive water elements to reset human sensory experiences, merging the audience with the artwork. "Plants is designed to encourage people to rethink their relationship with the world, striving to perfect each piece so that one can immerse themselves and lose track of time," said teamLab founder Toshiyuki Inoko.
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