KITAYA PARK北谷公園

北谷公園『Kitaya Park』為東急集團、株式會社與日建設計所組團隊於2021年改造完成，配合近年東京都修改都市公園法， Park-PFI公募設置管理制度，賦予私人企業開發與經營權，換取公共空間的改善或公共建設的互利模式，尤其北谷公園這塊從原有法定容積2%上限值提高至12%，更對原有腹地不大的地塊成為一大助力。北谷公園的另一大特色為地形的高低段位差，地塊設計利用花台與階梯的錯落保留了通透的視野，而視野最佳的位置則留給了目前外包經營的Blue Bottle。本案從前期開發整合到因應地形設計至最後運營管理皆全盤考慮，使北谷公園雖為口袋鄰里公園尺度，但軟硬體兼顧的全方位策略是極其成功的關鍵因素。 Kitaya Park was transformed in 2021 by a team from the Tokyu Group and Nikken Sekkei. This project aligns with recent amendments to Tokyo's Urban Park Law, which introduced the Park-PFI public offering management system, granting private enterprises the rights to develop and operate parks in exchange for improvements to public spaces or mutual benefits in public construction. Notably, the allowable floor area ratio for Kitaya Park was increased from the original statutory limit of 2% to 12%, providing significant support for the relatively small plot of land. Another major feature of Kitaya Park is the variation in elevation across the terrain. The design of the site incorporates flower beds and staggered steps to maintain an open view, with the best vantage point reserved for the currently outsourced operator, Blue Bottle. The project considered everything from initial development integration to terrain-responsive design and final operational management, making Kitaya Park, despite its small neighborhood park scale, a highly successful example of a comprehensive strategy that balances both soft and hard elements.

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科隆主教座堂Kölner Dom

科隆主教座堂，位於德國科隆的一座天主教主教座堂。157公尺高的鐘樓使得它成為德國第二（僅次於烏爾姆市的烏爾姆主教座堂）、世界第三高的教堂，另外也是世界上第三大的哥德式教堂（前兩位是塞維亞主教座堂和米蘭主教座堂），它以法國蘭斯主教堂和亞眠主教座堂為範本，是德國第一座完全按照法國哥特盛期樣式建造的教堂。 The Cologne Cathedral, located in Cologne, Germany, is a Roman Catholic cathedral. Its bell tower, standing at 157 meters high, makes it the second tallest church in Germany (after the Ulm Cathedral) and the third tallest in the world. Additionally, it is the third largest Gothic cathedral in the world, following the Seville Cathedral and the Milan Cathedral. It was modeled after the French cathedrals of Reims and Amiens and is the first church in Germany built entirely in the French High Gothic style.

虹夕諾雅谷關HOSHINOYA GUGUAN

以「水之庭園」意象貫穿虹夕諾雅谷關的庭院景觀，引天然山泉創造蜿蜒河道，疊水慢流的節奏使水面始終保持通透鏡亮，無論在池畔區、圖書室、餐廳及砌茶室等場所皆能與水親近，藉此感受靜謐恬適的空間與氛圍。景觀 studio on site/建築東環境建研所/燈光 ICE都市環境照明 The courtyard landscape of Hoshinoya in Guguan is infused with the imagery of a "Water Garden." It features natural mountain springs that create winding waterways, and the gentle flow of water maintains a clear and bright surface. Whether in the pond area, library, restaurant, or tea room, guests can be close to the water, allowing them to experience a tranquil and comfortable space and atmosphere. Landscape by studio on site / Architecture by Dong Environment Research Institute / Lighting by ICE Urban Environment Lighting.

對於一片封塵二十餘年的土地，我們有甚麼盼望，又會賦予它甚麼想像…一直以來這是我們在規劃時不停思索的課題，並且設計時咀嚼在地元素的反饋，我想這就是我們對這片土地的尊重，以及展現地景地貌的關懷。

虹夕諾雅谷關II HOSHINOYA GUGUAN II

二訪谷關，從下訂時的天下太平到年中的疫情紛亂，幸運的是入住時期已趨緩近零，也趕上了中秋節尾端的活動，算是增添一點年節氣氛，谷關也是適合不同時節皆能到訪的地方，感受季節色葉的變換、山林的光黎及不同的年節活動，也在此感謝飯店人員的細心協助與招待。本篇著重在紀錄家人生活與活動點滴，空間佈局及場所氛圍可移至前篇閱覽。《幻月中秋》《畫扇詩人》《草花散策》《心蘊種子》《氣循森呼吸》

FORESTGATE DAIKANYMA

做為世界金融中心，紐約也曾是美國的工業製造重鎮。1870年代，工業革命後美國開始流行鑄鐵建築，鋼梁大跨距的結構強度取代傳統木樑，藉由鋼樑創造出挑高無隔間的空間，正適合做為廠房倉儲之用，擁有船運地利之便的紐約便開始於沿岸發展出工業區。20世紀初紐約工業區逐漸落寞，取而代之汽車貨運工業興起，高架鐵道的機能逐漸被取代，並於80年代停駛，面臨被拆除的危機。之後發展由當地居民發起非營利性的組織 — Friends of the High Line（高線之友，FHL），在市民的推動下，決定保存這段工業史，改建成為全長約2.3公里的帶狀公園──由 James Corner Field Operations 規劃景觀，Diller Scofidio+Renfro 活化建築，Piet Oudolf 設計植栽。

樁森 Tsubakimori Komuna

樁森為在千葉市中心，與千葉公園隔著一條高架電車路網，為一袖珍型開放空間。樁森內宛若家院般的元素隨處可見，樹屋、吊床、帳篷以及錯落的座椅配置等，可隨著地上枕木的交錯引導至各處的小屋節點，也可踩踏著碎木塊及樹木皮鬆填材，隨興的找塊角落歇憩。 Tsang Sen is a miniature open space located in the center of Chiba City, separated from Chiba Park by an elevated tram network. Elements reminiscent of a home garden can be found throughout Tsang Sen, including tree houses, hammocks, tents, and scattered seating arrangements. Visitors can navigate through various small cabin nodes guided by the interspersed wooden sleepers on the ground, or they can step on the wood chips and loose tree bark filling materials to casually find a corner to rest.

嘉美館 Chiayi Art Museum

嘉義美術館，前身為菸酒公賣局嘉義分局，奠基於畫都&木都的人文及美術歷史之上轉型改建。將三棟舊建築-1936年菸酒公賣局(台南林百貨建築師梅澤捨次郎)、1954年酒類倉庫及1980年菸酒成品倉庫連接而成。建材利用木構集成材搭配鋼構、玻璃帷幕、橫紋折線磚構築立面語彙，融合現代與和洋式風格。

「目標並不是一定要達到的，它通常只是努力的方向。」萬商歸一農

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