慶應義塾 KEIO UNIVERSITY

慶應義塾大學為日本文部科學省超級國際化大學計劃中的頂尖型指定校，與早稻田大學並列早慶(慶早)。慶應的創辦人是一萬日圓鈔票上的頭像「福澤諭吉」。1858年時明治時代六大教育家之一　福澤諭吉　開設「蘭塾」，向荷蘭學習西方的科學技術，就是慶應大學的前身，而後福澤諭吉自學英語，又隨著使節團遊歷歐美，受到西方科學與自由民主風氣影響非常深。本次造訪的屋上庭院，為巴黎景觀建築事務所MDP(Michel Desvigne Paysagiste)團隊於2004-2005於校建屋頂打造，腹地600平方米，敷地計畫選用石材圓形簍空切割搭配幾何矩陣式排列，與低多分枝紅楓交織視覺層次，植栽的選用也為規整的庭院增添了季節色彩上的變化。 Keio University is a designated top-tier institution under Japan's Ministry of Education, Culture, Sports, Science and Technology's Super Global University Project, alongside Waseda University, forming the prestigious "Keio-Waseda" alliance. The founder of Keio is Yukichi Fukuzawa, whose portrait appears on the 10,000 yen banknote. In 1858, Fukuzawa, one of the six great educators of the Meiji era, established "Ranju," where he learned Western science and technology from the Dutch, which became the precursor to Keio University. Later, he self-studied English and traveled to Europe and America with a diplomatic mission, deeply influenced by Western science and the spirit of liberal democracy. The rooftop garden visited this time was created by the Parisian landscape architecture firm MDP (Michel Desvigne Paysagiste) between 2004 and 2005. Covering an area of 600 square meters, the design features circular stone cutouts arranged in a geometric matrix, interwoven with low-branched red maples, creating a visual layering effect. The selection of plants also adds seasonal color variations to the orderly garden.

You may also like

世貿中心站world trade center station

站體位在2001年發生911恐怖攻擊的世貿大樓舊址，由西班牙知名建築師Santiago Calatrava所設計，外觀像是一隻展翅高飛的鴿子，象徵浴火重生的曼哈頓，從恐怖攻擊的陰霾中重新燃起希望。 The station is located at the former site of the World Trade Center, where the 9/11 terrorist attacks occurred in 2001. Designed by the renowned Spanish architect Santiago Calatrava, its exterior resembles a dove soaring high with its wings spread, symbolizing Manhattan's rebirth from the ashes, reigniting hope after the shadow of the terrorist attacks.

科布倫次Koblenz

位于德國萊茵蘭．普法爾茨州的科布倫茨市，是1777年至1786年間由選帝侯Clemens Wenzeslaus下令興建法國樣式的古典復興建築。選帝侯宮最初是特裏爾末代選帝侯及總主教Clemens Wenzeslaus的官邸，隨後由王儲暨德意志帝國皇帝威廉壹世居住，充當軍事指揮部，自此由官邸改稱選帝侯宮。自2002年成爲世界文化遺産“萊茵河中上遊”的一部分，以幾何刺繡花壇最為知名。

南華微光 ◼ 大武山脈下的幾何山水

『南華微光』基地原址為南華國小，停辦後轉型為無人機專業操作訓練場與農創基地。設計團隊融入北大武山山脈稜線的起伏與霧氣沿山嵐草坡而下的記憶，重現在這片場域。本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。設計單位：一起設計Atelier Let’s+丁尺建築師事務所JR Architects 設計顧問：和光接物環境建築設計結構設計：圓剛工程顧問有限公司燈光設計：瓦豆WEDO Lighting 植栽設計：原生環境設計整合施工單位：久騰營造有限公司『南華微光』基地原址為南華國小，停辦後轉型為無人機專業操作訓練場與農創基地。設計團隊融入北大武山山脈稜線的起伏與霧氣沿山嵐草坡而下的記憶，重現在這片場域。本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。 The original site of the base was Nan Hua Elementary School, which was transformed into a professional drone operation training ground and an agricultural innovation base after its closure. The design team incorporated the undulating ridges of the Beidawu Mountain range and the memory of mist flowing down the grassy slopes, recreating this landscape. The color tone in this piece presents a lower saturation, aiming to respond to the poetic quality of the landscape, reminiscent of ink wash painting.

代官山T-Site

OMO3 Asakusa by Hoshino Resorts

2024年安排了久違的旅行，也是一趟試水溫壓力測試。本次下榻的旅店是星野集團旗下品牌的OMO3淺草，其特色是緊鄰淺草寺以及屋上餐廳與露臺，做為在緊湊的東京住宿選擇上，開放空間的有無與舒適度會是一直以來的首要考量，一個類起居的空間對於界定放鬆休憩與外出著裝上陣的拘謹何嘗不是一種奢求。 In 2024, I have planned a long-awaited trip, which will also serve as a test of my comfort and stress levels. The hotel I will be staying at is OMO3 Asakusa, a brand under the Hoshino Group. Its features include being located right next to Senso-ji Temple, as well as having a rooftop restaurant and terrace. When it comes to choosing accommodations in the compact city of Tokyo, the presence and comfort of open spaces have always been a top priority. A space that resembles a living area can indeed be a luxury, as it helps to define the boundaries between relaxation and the constraints of dressing up for outings.

嘉美館 Chiayi Art Museum

嘉義美術館，前身為菸酒公賣局嘉義分局，奠基於畫都&木都的人文及美術歷史之上轉型改建。將三棟舊建築-1936年菸酒公賣局(台南林百貨建築師梅澤捨次郎)、1954年酒類倉庫及1980年菸酒成品倉庫連接而成。建材利用木構集成材搭配鋼構、玻璃帷幕、橫紋折線磚構築立面語彙，融合現代與和洋式風格。

古根漢美術館Guggenheim Museum

古根漢博物館位於紐約上東區，緊鄰中央公園，博物館由Frank Lloyd Wright 所設計。整體來說館內作品以個人收藏為主，單論作品及票價對一般遊客而言，或許MOMA會更為適合，古根漢吸引我的反而是藉由迴廊空間去閱讀遊客賞析作品與互動的表情。

麗思卡爾頓THE RITZ-CARLTON, BALI

酒店位在努沙杜瓦地區南岸，依靠峭壁居高臨下，坐擁海天一色與整片白沙美景。而入口大廳平視遠眺印度洋，近看俯覽整座渡假村全貌，以順應地形引導視覺焦點與賦予衝擊性抵達體驗的感官營造，並以大量的植栽綠蔭柔化建築群樓的剛性，故足以滿足三百餘間套房的需求，同時保有隱世離塵的氛圍，維持一冠注重層峰客群感知的細膩設計。

韋斯特姆水塔飯店Hotel IM Wasserturm Köln

飯店位在科隆老城區中心，為一座歷史悠久的水塔改建而成，總樓高35公尺，頂樓為餐廳及酒廊。

ONE@TOKYO位在東京都押上站附近，由材料運用大師隈研吾所操刀設計，迎賓大門立面及露台機房外飾面皆以木構板材搭配不鏽鋼鐵件構成。旅店內充滿著角型元素所構成的設施，如迎賓大門刻意斜向形塑成三角形的風除室、一樓大廳家具、露台動線甚至是房間收納空間等，強烈展現建築師特有的風格。 ONE@TOKYO is located near Oshiage Station in Tokyo and is designed by master of material application Kengo Kuma. The entrance facade and the exterior of the terrace machinery room are constructed with wooden panels combined with stainless steel components. The hotel is filled with facilities composed of angular elements, such as the intentionally slanted triangular shape of the entrance vestibule, the furniture in the first-floor lobby, the flow of the terrace, and even the storage space in the rooms, all strongly showcasing the architect's unique style.

↑Back to Top