嘉美館 Chiayi Art Museum

嘉義美術館，前身為菸酒公賣局嘉義分局，奠基於畫都&木都的人文及美術歷史之上轉型改建。將三棟舊建築-1936年菸酒公賣局(台南林百貨建築師梅澤捨次郎)、1954年酒類倉庫及1980年菸酒成品倉庫連接而成。建材利用木構集成材搭配鋼構、玻璃帷幕、橫紋折線磚構築立面語彙，融合現代與和洋式風格。

You may also like

呂德斯海姆Rudesheim

呂德斯海姆建於12世紀，當時已是通往萊茵河中流山谷的大門。有「酒城」之稱的呂德斯海姆是萊茵河上的樂園，這裡是萊茵區的中心區，也稱葡萄酒區，年產2700萬瓶葡萄酒。河畔為了維持景觀和諧，都沒有任何橋梁，靠渡輪往來兩岸。

大溪威斯汀THE WESTIN TASHEE RESORT TAOYUAN

以峇厘島風格為主題的度假酒店，由笠復投資斥資近40億，歷經三年多改建昔日政商雲集的鴻禧大溪別館，由萬豪集團旗下喜達屋集團的招牌威斯汀酒店經營管理。

科赫姆Cochem

科赫姆位於萊茵蘭-普法茲的德國小鎮，整座城鎮被葡萄園包圍，是一個產酒名鎮。日出時整座城迷霧沿著河畔攀附至山坡上，初露過後變迎來青山碧水。1688年，法國路易十四在入侵萊茵河及莫澤流域時佔領了科赫姆城堡並將其摧毀。19世紀，普魯士工業家Louis Ravené買下了城堡廢墟，並於1868至1877年間將城堡按照哥德復興式建築重建。

TEAMLAB PLANETS TOKYO

teamLab是創立於2001年的藝術團隊，由跨領域專業人士聚集而成，目標通過共同創作的行為融合藝術、科學、技術、設計、以及自然界。團隊成員包括藝術家、工程師、CG動畫師、數學家、建築師等。豐洲展館為2018年開幕，集結光影體感的藝術作品，本館更加入了水的互動元素，重置人的感官體驗，與作品融為一體。「Plants是為了讓人重新思考與世界的關係，盡力將每個作品做到極致，使人忘我地沉浸其中」－teamLab創辦人　豬子壽之 teamLab is an art collective founded in 2001, composed of professionals from various fields, aiming to integrate art, science, technology, design, and nature through collaborative creation. The team includes artists, engineers, CG animators, mathematicians, architects, and more. The Toyosu Pavilion, which opened in 2018, features art installations that combine light, shadow, and sensory experiences, and incorporates interactive water elements to reset human sensory experiences, merging the audience with the artwork. "Plants is designed to encourage people to rethink their relationship with the world, striving to perfect each piece so that one can immerse themselves and lose track of time," said teamLab founder Toshiyuki Inoko.

日光．嶼南　

SUNLIGHT ON THE PENINSULA

ONE@TOKYO位在東京都押上站附近，由材料運用大師隈研吾所操刀設計，迎賓大門立面及露台機房外飾面皆以木構板材搭配不鏽鋼鐵件構成。旅店內充滿著角型元素所構成的設施，如迎賓大門刻意斜向形塑成三角形的風除室、一樓大廳家具、露台動線甚至是房間收納空間等，強烈展現建築師特有的風格。 ONE@TOKYO is located near Oshiage Station in Tokyo and is designed by master of material application Kengo Kuma. The entrance facade and the exterior of the terrace machinery room are constructed with wooden panels combined with stainless steel components. The hotel is filled with facilities composed of angular elements, such as the intentionally slanted triangular shape of the entrance vestibule, the furniture in the first-floor lobby, the flow of the terrace, and even the storage space in the rooms, all strongly showcasing the architect's unique style.

山妍四季 FOUR SEASONS RESORT BALI AT SAYAN

由建築師John Heah所設計的山妍四季酒店，迎賓入口藉由鋼骨木板橋連接山崖及水盤狀構成飯店大廳主體，兩側延展出各式套房;水盤圓頂為一生態池塘，水面倒映著山谷風貌，將建築巧妙地融入大自然，下層的大廳直視棕梠樹冠層，形成絕佳的綠蔭框景。 The Shanyan Four Seasons Hotel, designed by architect John Heah, features a welcoming entrance connected by a steel and wooden bridge that links the cliff and a water basin, forming the main structure of the hotel lobby. On either side, various suites extend outwards; the dome of the water basin serves as an ecological pond, with its surface reflecting the valley's landscape, cleverly integrating the architecture with nature. The lower lobby offers a direct view of the palm tree canopy, creating an excellent green-framed scene.

內田歌德/廚菓子黑木

東京大學本鄉校區內幾棟因關東大地震毀損的建築，由建築科教授後來成為總長的內田祥三建築師主導重建。曲線流暢的拱門和石刻方柱風格，被稱為「內田歌德」（内田ゴシック）。

FORESTGATE DAIKANYMA

時空暗線 the dark line

仿效西班牙Tussols Basil Athletics Stadium田徑場旁休憩平台，以鏽蝕鋼筋格柵的高架鋪面取代原有車輛路徑，遊客可近距離觀察鋪面下方被保留的原始地貌，同時也拉開與生物棲地形塑喘息空間，伴隨兩旁感應式的間接光，使遊客沉浸在隧道內疊水逕流與光影交織。 Inspired by the resting platform next to the Tussols Basil Athletics Stadium in Spain, the original vehicle path is replaced with an elevated surface made of rusted steel grating. Visitors can closely observe the preserved original terrain beneath the surface, while also creating a breathing space away from the biological habitat. Accompanied by indirect lighting on both sides that responds to movement, visitors are immersed in the interplay of flowing water and light and shadow within the tunnel.

↑Back to Top