山妍四季 FOUR SEASONS RESORT BALI AT SAYAN

由建築師John Heah所設計的山妍四季酒店，迎賓入口藉由鋼骨木板橋連接山崖及水盤狀構成飯店大廳主體，兩側延展出各式套房;水盤圓頂為一生態池塘，水面倒映著山谷風貌，將建築巧妙地融入大自然，下層的大廳直視棕梠樹冠層，形成絕佳的綠蔭框景。 The Shanyan Four Seasons Hotel, designed by architect John Heah, features a welcoming entrance connected by a steel and wooden bridge that links the cliff and a water basin, forming the main structure of the hotel lobby. On either side, various suites extend outwards; the dome of the water basin serves as an ecological pond, with its surface reflecting the valley's landscape, cleverly integrating the architecture with nature. The lower lobby offers a direct view of the palm tree canopy, creating an excellent green-framed scene.

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科赫姆Cochem

科赫姆位於萊茵蘭-普法茲的德國小鎮，整座城鎮被葡萄園包圍，是一個產酒名鎮。日出時整座城迷霧沿著河畔攀附至山坡上，初露過後變迎來青山碧水。1688年，法國路易十四在入侵萊茵河及莫澤流域時佔領了科赫姆城堡並將其摧毀。19世紀，普魯士工業家Louis Ravené買下了城堡廢墟，並於1868至1877年間將城堡按照哥德復興式建築重建。

OMO3 Asakusa by Hoshino Resorts

2024年安排了久違的旅行，也是一趟試水溫壓力測試。本次下榻的旅店是星野集團旗下品牌的OMO3淺草，其特色是緊鄰淺草寺以及屋上餐廳與露臺，做為在緊湊的東京住宿選擇上，開放空間的有無與舒適度會是一直以來的首要考量，一個類起居的空間對於界定放鬆休憩與外出著裝上陣的拘謹何嘗不是一種奢求。 In 2024, I have planned a long-awaited trip, which will also serve as a test of my comfort and stress levels. The hotel I will be staying at is OMO3 Asakusa, a brand under the Hoshino Group. Its features include being located right next to Senso-ji Temple, as well as having a rooftop restaurant and terrace. When it comes to choosing accommodations in the compact city of Tokyo, the presence and comfort of open spaces have always been a top priority. A space that resembles a living area can indeed be a luxury, as it helps to define the boundaries between relaxation and the constraints of dressing up for outings.

日光．嶼南　

SUNLIGHT ON THE PENINSULA

時空暗線 the dark line

仿效西班牙Tussols Basil Athletics Stadium田徑場旁休憩平台，以鏽蝕鋼筋格柵的高架鋪面取代原有車輛路徑，遊客可近距離觀察鋪面下方被保留的原始地貌，同時也拉開與生物棲地形塑喘息空間，伴隨兩旁感應式的間接光，使遊客沉浸在隧道內疊水逕流與光影交織。 Inspired by the resting platform next to the Tussols Basil Athletics Stadium in Spain, the original vehicle path is replaced with an elevated surface made of rusted steel grating. Visitors can closely observe the preserved original terrain beneath the surface, while also creating a breathing space away from the biological habitat. Accompanied by indirect lighting on both sides that responds to movement, visitors are immersed in the interplay of flowing water and light and shadow within the tunnel.

科隆主教座堂Kölner Dom

科隆主教座堂，位於德國科隆的一座天主教主教座堂。157公尺高的鐘樓使得它成為德國第二（僅次於烏爾姆市的烏爾姆主教座堂）、世界第三高的教堂，另外也是世界上第三大的哥德式教堂（前兩位是塞維亞主教座堂和米蘭主教座堂），它以法國蘭斯主教堂和亞眠主教座堂為範本，是德國第一座完全按照法國哥特盛期樣式建造的教堂。 The Cologne Cathedral, located in Cologne, Germany, is a Roman Catholic cathedral. Its bell tower, standing at 157 meters high, makes it the second tallest church in Germany (after the Ulm Cathedral) and the third tallest in the world. Additionally, it is the third largest Gothic cathedral in the world, following the Seville Cathedral and the Milan Cathedral. It was modeled after the French cathedrals of Reims and Amiens and is the first church in Germany built entirely in the French High Gothic style.

赤坂 Akasaka K Tower

K Tower位在東京都港區赤坂町商辦大樓林立的都市空間內，景觀由總部同位在赤坂的LANDSCAPE DESIGN事務所設計，以仿似瑪雅古文明的染色預鑄混凝土板堆砌而成的端景，搭配三面磨石子的鏡面水景，藉此對應現代簡約的格狀建築立面，除本身極富視覺感的表情，更能體現出極緻的工藝品質與職人精神。 K Tower is located in a bustling urban space filled with office buildings in Akasaka, Minato, Tokyo. The landscape was designed by the LANDSCAPE DESIGN office, which is also based in Akasaka. It features a striking end view made of dyed precast concrete panels that resemble ancient Mayan civilization, complemented by a three-sided polished stone mirror water feature. This design corresponds to the modern minimalist grid facade of the building, showcasing not only a visually rich expression but also embodying exquisite craftsmanship and the spirit of artisanship.

做為世界金融中心，紐約也曾是美國的工業製造重鎮。1870年代，工業革命後美國開始流行鑄鐵建築，鋼梁大跨距的結構強度取代傳統木樑，藉由鋼樑創造出挑高無隔間的空間，正適合做為廠房倉儲之用，擁有船運地利之便的紐約便開始於沿岸發展出工業區。20世紀初紐約工業區逐漸落寞，取而代之汽車貨運工業興起，高架鐵道的機能逐漸被取代，並於80年代停駛，面臨被拆除的危機。之後發展由當地居民發起非營利性的組織 — Friends of the High Line（高線之友，FHL），在市民的推動下，決定保存這段工業史，改建成為全長約2.3公里的帶狀公園──由 James Corner Field Operations 規劃景觀，Diller Scofidio+Renfro 活化建築，Piet Oudolf 設計植栽。

獵人角南濱公園HUNTER'S POINT SOUTH PARK

位在紐約曼哈頓島對面的獵人角公園是由SWA/Balsley和Weiss/Manfredi事務所共同打造。該設計團隊採用創新的永續發展性策略，將基礎設施、景觀以及建築融為一體，並與周圍社區相連，將城市帶入公園，將公園引至海濱，最終形成了這個具有地標意義的開放空間。

東京安縵AMAN TOKYO

有一種美學，稱為安縵美學；有一群追隨者，叫做「安縵痴」（Aman Junkie）。 Aman Tokyo 座落在東京都金融區大手町的商辦建築群中，由已故奢華酒店設計大師Kerry Hill操刀，整體設計低調隱密，藏於樓高33F至38F之間，迎賓大廳採光引介天頂和紙文化工藝，伴隨暖黃色光暈灑落，配合壁面深色石材，充滿內斂與禪意。 There is an aesthetic known as Aman aesthetics; There is a group of followers called "Aman Junkies." Aman Tokyo is located in the financial district of Otemachi, Tokyo, within a complex of commercial buildings. It was designed by the late luxury hotel design master Kerry Hill. The overall design is understated and discreet, hidden between the 33rd and 38th floors. The lobby features natural light introduced through a skylight and incorporates traditional Japanese paper craft, accompanied by a warm yellow glow that falls softly, complemented by dark stone walls, exuding a sense of restraint and Zen.

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