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HIGH LINE
2016
做為世界金融中心,紐約也曾是美國的工業製造重鎮。1870年代,工業革命後美國開始流行鑄鐵建築,鋼梁大跨距的結構強度取代傳統木樑,藉由鋼樑創造出挑高無隔間的空間,正適合做為廠房倉儲之用,擁有船運地利之便的紐約便開始於沿岸發展出工業區。20世紀初紐約工業區逐漸落寞,取而代之汽車貨運工業興起,高架鐵道的機能逐漸被取代,並於80年代停駛,面臨被拆除的危機。之後發展由當地居民發起非營利性的組織 — Friends of the High Line(高線之友,FHL),在市民的推動下,決定保存這段工業史,改建成為全長約2.3公里的帶狀公園──由 James Corner Field Operations 規劃景觀,Diller Scofidio+Renfro 活化建築,Piet Oudolf 設計植栽。
礁溪寒沐 MU JIAO XI
2019
以大地為家的MU LIFE,礁溪寒沐酒店承襲寒舍美學、人文和藝術兼具的獨到品味。委託蔡佳葳、申亮、雪松等台灣藝術家形塑文化藝廊,並與操刀首爾四季、西安君悅、鉑爾曼開封等頂級酒店的設計團隊LTW DESIGNWORKS合作,將當代藝術策展概念融合在地文化,營造優雅與高品味的度假休閒氛圍!
虹夕諾雅 谷關HOSHINOYA GUGUAN
2020
以「水之庭園」意象貫穿虹夕諾雅 谷關的庭院景觀,引天然山泉創造蜿蜒河道,疊水慢流的節奏使水面始終保持通透鏡亮,無論在池畔區、圖書室、餐廳及砌茶室等場所皆能與水親近,藉此感受靜謐恬適的空間與氛圍。 景觀 studio on site/建築 東環境建研所/燈光 ICE都市環境照明 The courtyard landscape of Hoshinoya in Guguan is infused with the imagery of a "Water Garden." It features natural mountain springs that create winding waterways, and the gentle flow of water maintains a clear and bright surface. Whether in the pond area, library, restaurant, or tea room, guests can be close to the water, allowing them to experience a tranquil and comfortable space and atmosphere. Landscape by studio on site / Architecture by Dong Environment Research Institute / Lighting by ICE Urban Environment Lighting.
漁光島
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OMO5 Tokyo Otsuka By Hoshino R
2024
OMO5大塚,以大塚站與荒川線為鄰,旅店以電車為元素布置。
GINZA SIX
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曾文溪渡槽橋
2020
烏山頭水庫暨嘉南大圳水利系統完工於西元1930 年,由嘉南大圳之父-八田與一設計,曾文溪渡槽橋建造於1929 年,為嘉南大圳水利系統南幹線其中一座輸水橋樑,渡槽為跨越河渠、溪谷、窪地和道路的架空水槽,曾文溪渡槽橋除輸水之外,曾文溪渡槽橋曾經為省道台一線的連接橋梁,兼具「輸水管路」和「交通道路」兩種功能。
時空暗線 the dark line
2023
仿效西班牙Tussols Basil Athletics Stadium田徑場旁休憩平台,以鏽蝕鋼筋格柵的高架鋪面取代原有車輛路徑,遊客可近距離觀察鋪面下方被保留的原始地貌,同時也拉開與生物棲地形塑喘息空間,伴隨兩旁感應式的間接光,使遊客沉浸在隧道內疊水逕流與光影交織。 Inspired by the resting platform next to the Tussols Basil Athletics Stadium in Spain, the original vehicle path is replaced with an elevated surface made of rusted steel grating. Visitors can closely observe the preserved original terrain beneath the surface, while also creating a breathing space away from the biological habitat. Accompanied by indirect lighting on both sides that responds to movement, visitors are immersed in the interplay of flowing water and light and shadow within the tunnel.
Miyashita Park
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山妍四季 FOUR SEASONS RESORT BALI AT SAYAN
2017
由建築師John Heah所設計的山妍四季酒店,迎賓入口藉由鋼骨木板橋連接山崖及水盤狀構成飯店大廳主體,兩側延展出各式套房;水盤圓頂為一生態池塘,水面倒映著山谷風貌,將建築巧妙地融入大自然,下層的大廳直視棕梠樹冠層,形成絕佳的綠蔭框景。 The Shanyan Four Seasons Hotel, designed by architect John Heah, features a welcoming entrance connected by a steel and wooden bridge that links the cliff and a water basin, forming the main structure of the hotel lobby. On either side, various suites extend outwards; the dome of the water basin serves as an ecological pond, with its surface reflecting the valley's landscape, cleverly integrating the architecture with nature. The lower lobby offers a direct view of the palm tree canopy, creating an excellent green-framed scene.
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