日光．嶼南
SUNLIGHT ON THE PENINSULA
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科布倫次Koblenz
2018
位于德國萊茵蘭．普法爾茨州的科布倫茨市，是1777年至1786年間由選帝侯Clemens Wenzeslaus下令興建法國樣式的古典復興建築。選帝侯宮最初是特裏爾末代選帝侯及總主教Clemens Wenzeslaus的官邸，隨後由王儲暨德意志帝國皇帝威廉壹世居住，充當軍事指揮部，自此由官邸改稱選帝侯宮。自2002年成爲世界文化遺産“萊茵河中上遊”的一部分，以幾何刺繡花壇最為知名。
科赫姆Cochem
2018
科赫姆位於萊茵蘭-普法茲的德國小鎮，整座城鎮被葡萄園包圍，是一個產酒名鎮。日出時整座城迷霧沿著河畔攀附至山坡上，初露過後變迎來青山碧水。1688年，法國路易十四在入侵萊茵河及莫澤流域時佔領了科赫姆城堡並將其摧毀。19世紀，普魯士工業家Louis Ravené買下了城堡廢墟，並於1868至1877年間將城堡按照哥德復興式建築重建。
時空暗線 the dark line
2023
仿效西班牙Tussols Basil Athletics Stadium田徑場旁休憩平台，以鏽蝕鋼筋格柵的高架鋪面取代原有車輛路徑，遊客可近距離觀察鋪面下方被保留的原始地貌，同時也拉開與生物棲地形塑喘息空間，伴隨兩旁感應式的間接光，使遊客沉浸在隧道內疊水逕流與光影交織。
Inspired by the resting platform next to the Tussols Basil Athletics Stadium in Spain, the original vehicle path is replaced with an elevated surface made of rusted steel grating. Visitors can closely observe the preserved original terrain beneath the surface, while also creating a breathing space away from the biological habitat. Accompanied by indirect lighting on both sides that responds to movement, visitors are immersed in the interplay of flowing water and light and shadow within the tunnel.
大溪威斯汀THE WESTIN TASHEE RESORT TAOYUAN
2018
以峇厘島風格為主題的度假酒店，由笠復投資斥資近40億，歷經三年多改建昔日政商雲集的鴻禧大溪別館，由萬豪集團旗下喜達屋集團的招牌威斯汀酒店經營管理。
麗思卡爾頓THE RITZ-CARLTON, BALI
2018
酒店位在努沙杜瓦地區南岸，依靠峭壁居高臨下，坐擁海天一色與整片白沙美景。而入口大廳平視遠眺印度洋，近看俯覽整座渡假村全貌，以順應地形引導視覺焦點與賦予衝擊性抵達體驗的感官營造，並以大量的植栽綠蔭柔化建築群樓的剛性，故足以滿足三百餘間套房的需求，同時保有隱世離塵的氛圍，維持一冠注重層峰客群感知的細膩設計。
曾文溪渡槽橋
2020
烏山頭水庫暨嘉南大圳水利系統完工於西元1930 年，由嘉南大圳之父－八田與一設計，曾文溪渡槽橋建造於1929 年，為嘉南大圳水利系統南幹線其中一座輸水橋樑，渡槽為跨越河渠、溪谷、窪地和道路的架空水槽，曾文溪渡槽橋除輸水之外，曾文溪渡槽橋曾經為省道台一線的連接橋梁，兼具「輸水管路」和「交通道路」兩種功能。
明治神宮 Meiji Jingū
2017
明治神宮在2020年已邁入100周年，神宮建造時，計畫未來能成為完全的仿生自然林。７０公頃的林木的種植計畫是仿造自然生態的自生自滅、自給自足「自然更新」法，經過精密計算樹木盛衰營造所要的林相景觀，初建期以代表權威的松樹群為主樹層，數十年後柏樹群成為上層主樹，接著百年後是常綠喬木闊葉樹，如椎樹、橡樹、櫧樹、楠樹、樟樹、櫟樹等，從全國各地募集這些適合東京地形氣候溫度等，當時還有從中國東北部朝鮮國等進口樹種。
Meiji Shrine celebrated its 100th anniversary in 2020. When the shrine was constructed, the plan was to eventually create a fully biomimetic natural forest. The 70-hectare tree planting plan was designed to mimic the self-sustaining and self-renewing "natural regeneration" method of natural ecosystems. Through precise calculations of tree growth and decline, the desired forest landscape was created. In the initial phase, the dominant tree layer consisted of authoritative pine trees, and after several decades, cedar trees became the upper dominant layer. A century later, evergreen broadleaf trees such as chinquapin, oak, zelkova, camphor, and other species would take over. Trees suitable for Tokyo's terrain and climate were collected from various regions across the country, and at that time, tree species were also imported from Northeast China and Korea.
虹夕諾雅 谷關HOSHINOYA GUGUAN
2020
以「水之庭園」意象貫穿虹夕諾雅 谷關的庭院景觀，引天然山泉創造蜿蜒河道，疊水慢流的節奏使水面始終保持通透鏡亮，無論在池畔區、圖書室、餐廳及砌茶室等場所皆能與水親近，藉此感受靜謐恬適的空間與氛圍。
景觀 studio on site/建築 東環境建研所/燈光 ICE都市環境照明
The courtyard landscape of Hoshinoya in Guguan is infused with the imagery of a "Water Garden." It features natural mountain springs that create winding waterways, and the gentle flow of water maintains a clear and bright surface. Whether in the pond area, library, restaurant, or tea room, guests can be close to the water, allowing them to experience a tranquil and comfortable space and atmosphere.
Landscape by studio on site / Architecture by Dong Environment Research Institute / Lighting by ICE Urban Environment Lighting.
古根漢美術館Guggenheim Museum
2016
古根漢博物館位於紐約上東區，緊鄰中央公園，博物館由Frank Lloyd Wright 所設計。整體來說館內作品以個人收藏為主，單論作品及票價對一般遊客而言，或許MOMA會更為適合，古根漢吸引我的反而是藉由迴廊空間去閱讀遊客賞析作品與互動的表情。
Miyashita Park
2024