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東京大學本鄉校區內幾棟因關東大地震毀損的建築,由建築科教授後來成為總長的內田祥三建築師主導重建。曲線流暢的拱門和石刻方柱風格,被稱為「內田歌德」(内田ゴシック)。
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樁森 Tsubakimori Komuna
2022
樁森為在千葉市中心,與千葉公園隔著一條高架電車路網,為一袖珍型開放空間。樁森內宛若家院般的元素隨處可見,樹屋、吊床、帳篷以及錯落的座椅配置等,可隨著地上枕木的交錯引導至各處的小屋節點,也可踩踏著碎木塊及樹木皮鬆填材,隨興的找塊角落歇憩。 Tsang Sen is a miniature open space located in the center of Chiba City, separated from Chiba Park by an elevated tram network. Elements reminiscent of a home garden can be found throughout Tsang Sen, including tree houses, hammocks, tents, and scattered seating arrangements. Visitors can navigate through various small cabin nodes guided by the interspersed wooden sleepers on the ground, or they can step on the wood chips and loose tree bark filling materials to casually find a corner to rest.
獵人角南濱公園HUNTER'S POINT SOUTH PARK
2016
位在紐約曼哈頓島對面的獵人角公園是由SWA/Balsley和Weiss/Manfredi事務所共同打造。該設計團隊採用創新的永續發展性策略,將基礎設施、景觀以及建築融為一體,並與周圍社區相連,將城市帶入公園,將公園引至海濱,最終形成了這個具有地標意義的開放空間。
OMO5 Tokyo Otsuka By Hoshino R
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OMO5大塚,以大塚站與荒川線為鄰,旅店以電車為元素布置。
麗思卡爾頓THE RITZ-CARLTON, BALI
2018
酒店位在努沙杜瓦地區南岸,依靠峭壁居高臨下,坐擁海天一色與整片白沙美景。而入口大廳平視遠眺印度洋,近看俯覽整座渡假村全貌,以順應地形引導視覺焦點與賦予衝擊性抵達體驗的感官營造,並以大量的植栽綠蔭柔化建築群樓的剛性,故足以滿足三百餘間套房的需求,同時保有隱世離塵的氛圍,維持一冠注重層峰客群感知的細膩設計。
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Greenacre Park
2016
Greenacre Park沿街寬約18米,進深約36米,作為一個良好的城市公共空間,巧妙利用的園林樹木和植物,結合水景地形,形成豐富多層次的休閒空間。由景觀設計事務所Sasaki的創始人佐佐木英夫設計。 Greenacre Park is approximately 18 meters wide along the street and about 36 meters deep. As a well-designed urban public space, it cleverly utilizes landscaped trees and plants, combined with water features, to create a rich and multi-layered recreational area. It was designed by Hideo Sasaki, the founder of the landscape design firm Sasaki.
東京安縵AMAN TOKYO
2017
有一種美學,稱為安縵美學; 有一群追隨者,叫做「安縵痴」(Aman Junkie)。 Aman Tokyo 座落在東京都金融區大手町的商辦建築群中,由已故奢華酒店設計大師Kerry Hill操刀,整體設計低調隱密,藏於樓高33F至38F之間,迎賓大廳採光引介天頂和紙文化工藝,伴隨暖黃色光暈灑落,配合壁面深色石材,充滿內斂與禪意。 There is an aesthetic known as Aman aesthetics; There is a group of followers called "Aman Junkies." Aman Tokyo is located in the financial district of Otemachi, Tokyo, within a complex of commercial buildings. It was designed by the late luxury hotel design master Kerry Hill. The overall design is understated and discreet, hidden between the 33rd and 38th floors. The lobby features natural light introduced through a skylight and incorporates traditional Japanese paper craft, accompanied by a warm yellow glow that falls softly, complemented by dark stone walls, exuding a sense of restraint and Zen.
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