赤坂 Akasaka K Tower

K Tower位在東京都港區赤坂町商辦大樓林立的都市空間內，景觀由總部同位在赤坂的LANDSCAPE DESIGN事務所設計，以仿似瑪雅古文明的染色預鑄混凝土板堆砌而成的端景，搭配三面磨石子的鏡面水景，藉此對應現代簡約的格狀建築立面，除本身極富視覺感的表情，更能體現出極緻的工藝品質與職人精神。 K Tower is located in a bustling urban space filled with office buildings in Akasaka, Minato, Tokyo. The landscape was designed by the LANDSCAPE DESIGN office, which is also based in Akasaka. It features a striking end view made of dyed precast concrete panels that resemble ancient Mayan civilization, complemented by a three-sided polished stone mirror water feature. This design corresponds to the modern minimalist grid facade of the building, showcasing not only a visually rich expression but also embodying exquisite craftsmanship and the spirit of artisanship.

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ONE@TOKYO位在東京都押上站附近，由材料運用大師隈研吾所操刀設計，迎賓大門立面及露台機房外飾面皆以木構板材搭配不鏽鋼鐵件構成。旅店內充滿著角型元素所構成的設施，如迎賓大門刻意斜向形塑成三角形的風除室、一樓大廳家具、露台動線甚至是房間收納空間等，強烈展現建築師特有的風格。 ONE@TOKYO is located near Oshiage Station in Tokyo and is designed by master of material application Kengo Kuma. The entrance facade and the exterior of the terrace machinery room are constructed with wooden panels combined with stainless steel components. The hotel is filled with facilities composed of angular elements, such as the intentionally slanted triangular shape of the entrance vestibule, the furniture in the first-floor lobby, the flow of the terrace, and even the storage space in the rooms, all strongly showcasing the architect's unique style.

曾文溪渡槽橋

烏山頭水庫暨嘉南大圳水利系統完工於西元1930 年，由嘉南大圳之父－八田與一設計，曾文溪渡槽橋建造於1929 年，為嘉南大圳水利系統南幹線其中一座輸水橋樑，渡槽為跨越河渠、溪谷、窪地和道路的架空水槽，曾文溪渡槽橋除輸水之外，曾文溪渡槽橋曾經為省道台一線的連接橋梁，兼具「輸水管路」和「交通道路」兩種功能。

Chubby ELF_OPENING PARTY

胖精靈 Chubby-ELF 精品花藝婚禮佈置 / 乾燥花 /花藝教學/ 整體視覺規劃設計

OMO3 Asakusa by Hoshino Resorts

2024年安排了久違的旅行，也是一趟試水溫壓力測試。本次下榻的旅店是星野集團旗下品牌的OMO3淺草，其特色是緊鄰淺草寺以及屋上餐廳與露臺，做為在緊湊的東京住宿選擇上，開放空間的有無與舒適度會是一直以來的首要考量，一個類起居的空間對於界定放鬆休憩與外出著裝上陣的拘謹何嘗不是一種奢求。 In 2024, I have planned a long-awaited trip, which will also serve as a test of my comfort and stress levels. The hotel I will be staying at is OMO3 Asakusa, a brand under the Hoshino Group. Its features include being located right next to Senso-ji Temple, as well as having a rooftop restaurant and terrace. When it comes to choosing accommodations in the compact city of Tokyo, the presence and comfort of open spaces have always been a top priority. A space that resembles a living area can indeed be a luxury, as it helps to define the boundaries between relaxation and the constraints of dressing up for outings.

FORESTGATE DAIKANYMA

時空暗線 the dark line

仿效西班牙Tussols Basil Athletics Stadium田徑場旁休憩平台，以鏽蝕鋼筋格柵的高架鋪面取代原有車輛路徑，遊客可近距離觀察鋪面下方被保留的原始地貌，同時也拉開與生物棲地形塑喘息空間，伴隨兩旁感應式的間接光，使遊客沉浸在隧道內疊水逕流與光影交織。 Inspired by the resting platform next to the Tussols Basil Athletics Stadium in Spain, the original vehicle path is replaced with an elevated surface made of rusted steel grating. Visitors can closely observe the preserved original terrain beneath the surface, while also creating a breathing space away from the biological habitat. Accompanied by indirect lighting on both sides that responds to movement, visitors are immersed in the interplay of flowing water and light and shadow within the tunnel.

OMO5 Tokyo Otsuka By Hoshino R

OMO5大塚，以大塚站與荒川線為鄰，旅店以電車為元素布置。

嘉美館 Chiayi Art Museum

嘉義美術館，前身為菸酒公賣局嘉義分局，奠基於畫都&木都的人文及美術歷史之上轉型改建。將三棟舊建築-1936年菸酒公賣局(台南林百貨建築師梅澤捨次郎)、1954年酒類倉庫及1980年菸酒成品倉庫連接而成。建材利用木構集成材搭配鋼構、玻璃帷幕、橫紋折線磚構築立面語彙，融合現代與和洋式風格。

南華微光 ◼ 大武山脈下的幾何山水

『南華微光』基地原址為南華國小，停辦後轉型為無人機專業操作訓練場與農創基地。設計團隊融入北大武山山脈稜線的起伏與霧氣沿山嵐草坡而下的記憶，重現在這片場域。本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。設計單位：一起設計Atelier Let’s+丁尺建築師事務所JR Architects 設計顧問：和光接物環境建築設計結構設計：圓剛工程顧問有限公司燈光設計：瓦豆WEDO Lighting 植栽設計：原生環境設計整合施工單位：久騰營造有限公司『南華微光』基地原址為南華國小，停辦後轉型為無人機專業操作訓練場與農創基地。設計團隊融入北大武山山脈稜線的起伏與霧氣沿山嵐草坡而下的記憶，重現在這片場域。本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。 The original site of the base was Nan Hua Elementary School, which was transformed into a professional drone operation training ground and an agricultural innovation base after its closure. The design team incorporated the undulating ridges of the Beidawu Mountain range and the memory of mist flowing down the grassy slopes, recreating this landscape. The color tone in this piece presents a lower saturation, aiming to respond to the poetic quality of the landscape, reminiscent of ink wash painting.

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