中目黑

SUMIDA RIVER WALK連結淺草與晴空塔的步行路徑，特色是跟鐵道架橋共構，所以經過時不時會有著電車震動的共鳴。 從淺草方向出發的話，可不用看導航輕易的將晴空塔當遠方標的行走，且在橋上伴隨著上方電車與下方川流的船舶行駛十分有趣。 The SUMIDA RIVER WALK connects Asakusa with the Tokyo Skytree, featuring a walking path that is integrated with the railway bridge, so you can occasionally feel the vibrations from passing trains. If you start from the Asakusa direction, you can easily walk towards the Skytree without needing to look at a map, and it is quite interesting to see the trains above and the boats flowing below as you walk on the bridge.

士林萬麗，為萬豪集團旗下首次入駐台灣的品牌，由皇翔建設BOT承攬發包。由於置身於士林官邸旁，在裝潢設計上也融合了在地特色，將士林官邸裡的玫瑰和蝴蝶運用光影裝飾，點綴在穿廊與房間的各個角落。

北杜伊斯堡景觀公園（Landschaftspark Duisburg-Nord）是德國杜伊斯堡的一個後工業景觀公園，由德國景觀設計師彼得·拉茨（Peter Latz）與合伙人與1991年建立。

teamLab是創立於2001年的藝術團隊，由跨領域專業人士聚集而成，目標通過共同創作的行為融合藝術、科學、技術、設計、以及自然界。團隊成員包括藝術家、工程師、CG動畫師、數學家、建築師等。豐洲展館為2018年開幕，集結光影體感的藝術作品，本館更加入了水的互動元素，重置人的感官體驗，與作品融為一體。「Plants是為了讓人重新思考與世界的關係，盡力將每個作品做到極致，使人忘我地沉浸其中」－teamLab創辦人　豬子壽之 teamLab is an art collective founded in 2001, composed of professionals from various fields, aiming to integrate art, science, technology, design, and nature through collaborative creation. The team includes artists, engineers, CG animators, mathematicians, architects, and more. The Toyosu Pavilion, which opened in 2018, features art installations that combine light, shadow, and sensory experiences, and incorporates interactive water elements to reset human sensory experiences, merging the audience with the artwork. "Plants is designed to encourage people to rethink their relationship with the world, striving to perfect each piece so that one can immerse themselves and lose track of time," said teamLab founder Toshiyuki Inoko.

胖精靈 Chubby-ELF 精品花藝 婚禮佈置 / 乾燥花 /花藝教學/ 整體視覺規劃設計

北谷公園『Kitaya Park』為東急集團、株式會社與日建設計所組團隊於2021年改造完成，配合近年東京都修改都市公園法， Park-PFI公募設置管理制度，賦予私人企業開發與經營權，換取公共空間的改善或公共建設的互利模式，尤其北谷公園這塊從原有法定容積2%上限值提高至12%，更對原有腹地不大的地塊成為一大助力。 北谷公園的另一大特色為地形的高低段位差，地塊設計利用花台與階梯的錯落保留了通透的視野，而視野最佳的位置則留給了目前外包經營的Blue Bottle。本案從前期開發整合到因應地形設計至最後運營管理皆全盤考慮，使北谷公園雖為口袋鄰里公園尺度，但軟硬體兼顧的全方位策略是極其成功的關鍵因素。 Kitaya Park was transformed in 2021 by a team from the Tokyu Group and Nikken Sekkei. This project aligns with recent amendments to Tokyo's Urban Park Law, which introduced the Park-PFI public offering management system, granting private enterprises the rights to develop and operate parks in exchange for improvements to public spaces or mutual benefits in public construction. Notably, the allowable floor area ratio for Kitaya Park was increased from the original statutory limit of 2% to 12%, providing significant support for the relatively small plot of land. Another major feature of Kitaya Park is the variation in elevation across the terrain. The design of the site incorporates flower beds and staggered steps to maintain an open view, with the best vantage point reserved for the currently outsourced operator, Blue Bottle. The project considered everything from initial development integration to terrain-responsive design and final operational management, making Kitaya Park, despite its small neighborhood park scale, a highly successful example of a comprehensive strategy that balances both soft and hard elements.

位處曼哈頓島下城區的淚滴公園，為100%人造公園，基盤為填海造陸而成，四周環繞建築群樓。也鑑於此，設計師運用北端較高的地勢與脫離南端的建築，因而得以留設較大面的草坪空間，藉此將陽光引入。而南北之間隔著一道人工砌石牆，兼具收拾地勢高差與彰顯四季變換的表情。每塊石頭加工後依照設計線條於礦場試排模擬，最後再運至公園內按編號砌築。 Tear Drop Park, located in the Lower Manhattan area, is a 100% man-made park, built on land reclaimed from the sea, surrounded by a cluster of buildings. Given this context, the designer utilized the higher terrain at the northern end and the separation from the buildings at the southern end to create a larger lawn space, allowing sunlight to enter. A man-made stone wall separates the north and south, serving both to manage the elevation difference and to highlight the changing seasons. Each stone was processed and arranged according to design lines in a quarry for simulation, and then transported to the park to be constructed according to a numbering system.

Paley Park 這個位於曼哈頓中城東53街於1967年蓋好的口袋公園，由Zion & Breen所設計建造。長型的空間由整面的人工瀑布和兩側爬著常春藤的石牆所構成。白色鑄鐵網椅，大理石圓桌和成排的樹木讓整個空間相當有禪意。

對於一片封塵二十餘年的土地，我們有甚麼盼望，又會賦予它甚麼想像…一直以來這是我們在規劃時不停思索的課題，並且設計時咀嚼在地元素的反饋，我想這就是我們對這片土地的尊重，以及展現地景地貌的關懷。