士林萬麗 RENAISSANCE TAIPEI SHIHLIN

士林萬麗，為萬豪集團旗下首次入駐台灣的品牌，由皇翔建設BOT承攬發包。由於置身於士林官邸旁，在裝潢設計上也融合了在地特色，將士林官邸裡的玫瑰和蝴蝶運用光影裝飾，點綴在穿廊與房間的各個角落。

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蘇麗峇厘Soori Bali

Soori Bali位在印尼峇里島的塔巴南海岸，前景藍海黑砂，後倚田野風光，由世界頂級酒店品牌Alila集團所經營。房型共有Beach Villa沙灘別墅、Ocean Villa海景別墅、Terrace Villa稻田景觀別墅以及三房別墅和十房別墅。 Soori Bali is located on the Tabanan coast of Bali, Indonesia, with a foreground of blue sea and black sand, and backed by scenic fields. It is operated by the world-renowned hotel brand Alila. The accommodation options include Beach Villas, Ocean Villas, Terrace Villas with rice field views, as well as three-bedroom and ten-bedroom villas.

OMO3 Asakusa by Hoshino Resorts

2024年安排了久違的旅行，也是一趟試水溫壓力測試。本次下榻的旅店是星野集團旗下品牌的OMO3淺草，其特色是緊鄰淺草寺以及屋上餐廳與露臺，做為在緊湊的東京住宿選擇上，開放空間的有無與舒適度會是一直以來的首要考量，一個類起居的空間對於界定放鬆休憩與外出著裝上陣的拘謹何嘗不是一種奢求。 In 2024, I have planned a long-awaited trip, which will also serve as a test of my comfort and stress levels. The hotel I will be staying at is OMO3 Asakusa, a brand under the Hoshino Group. Its features include being located right next to Senso-ji Temple, as well as having a rooftop restaurant and terrace. When it comes to choosing accommodations in the compact city of Tokyo, the presence and comfort of open spaces have always been a top priority. A space that resembles a living area can indeed be a luxury, as it helps to define the boundaries between relaxation and the constraints of dressing up for outings.

臺中公園 TAICHUNG PARK

淚滴公園 TEARDROP PARK

位處曼哈頓島下城區的淚滴公園，為100%人造公園，基盤為填海造陸而成，四周環繞建築群樓。也鑑於此，設計師運用北端較高的地勢與脫離南端的建築，因而得以留設較大面的草坪空間，藉此將陽光引入。而南北之間隔著一道人工砌石牆，兼具收拾地勢高差與彰顯四季變換的表情。每塊石頭加工後依照設計線條於礦場試排模擬，最後再運至公園內按編號砌築。 Tear Drop Park, located in the Lower Manhattan area, is a 100% man-made park, built on land reclaimed from the sea, surrounded by a cluster of buildings. Given this context, the designer utilized the higher terrain at the northern end and the separation from the buildings at the southern end to create a larger lawn space, allowing sunlight to enter. A man-made stone wall separates the north and south, serving both to manage the elevation difference and to highlight the changing seasons. Each stone was processed and arranged according to design lines in a quarry for simulation, and then transported to the park to be constructed according to a numbering system.

獵人角南濱公園HUNTER'S POINT SOUTH PARK

位在紐約曼哈頓島對面的獵人角公園是由SWA/Balsley和Weiss/Manfredi事務所共同打造。該設計團隊採用創新的永續發展性策略，將基礎設施、景觀以及建築融為一體，並與周圍社區相連，將城市帶入公園，將公園引至海濱，最終形成了這個具有地標意義的開放空間。

內田歌德/廚菓子黑木

東京大學本鄉校區內幾棟因關東大地震毀損的建築，由建築科教授後來成為總長的內田祥三建築師主導重建。曲線流暢的拱門和石刻方柱風格，被稱為「內田歌德」（内田ゴシック）。

嘉美館 Chiayi Art Museum

嘉義美術館，前身為菸酒公賣局嘉義分局，奠基於畫都&木都的人文及美術歷史之上轉型改建。將三棟舊建築-1936年菸酒公賣局(台南林百貨建築師梅澤捨次郎)、1954年酒類倉庫及1980年菸酒成品倉庫連接而成。建材利用木構集成材搭配鋼構、玻璃帷幕、橫紋折線磚構築立面語彙，融合現代與和洋式風格。

FORESTGATE DAIKANYMA

代官山T-Site

明治神宮 Meiji Jingū

明治神宮在2020年已邁入100周年，神宮建造時，計畫未來能成為完全的仿生自然林。７０公頃的林木的種植計畫是仿造自然生態的自生自滅、自給自足「自然更新」法，經過精密計算樹木盛衰營造所要的林相景觀，初建期以代表權威的松樹群為主樹層，數十年後柏樹群成為上層主樹，接著百年後是常綠喬木闊葉樹，如椎樹、橡樹、櫧樹、楠樹、樟樹、櫟樹等，從全國各地募集這些適合東京地形氣候溫度等，當時還有從中國東北部朝鮮國等進口樹種。 Meiji Shrine celebrated its 100th anniversary in 2020. When the shrine was constructed, the plan was to eventually create a fully biomimetic natural forest. The 70-hectare tree planting plan was designed to mimic the self-sustaining and self-renewing "natural regeneration" method of natural ecosystems. Through precise calculations of tree growth and decline, the desired forest landscape was created. In the initial phase, the dominant tree layer consisted of authoritative pine trees, and after several decades, cedar trees became the upper dominant layer. A century later, evergreen broadleaf trees such as chinquapin, oak, zelkova, camphor, and other species would take over. Trees suitable for Tokyo's terrain and climate were collected from various regions across the country, and at that time, tree species were also imported from Northeast China and Korea.

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