虹夕諾雅谷關HOSHINOYA GUGUAN

以「水之庭園」意象貫穿虹夕諾雅谷關的庭院景觀，引天然山泉創造蜿蜒河道，疊水慢流的節奏使水面始終保持通透鏡亮，無論在池畔區、圖書室、餐廳及砌茶室等場所皆能與水親近，藉此感受靜謐恬適的空間與氛圍。景觀 studio on site/建築東環境建研所/燈光 ICE都市環境照明 The courtyard landscape of Hoshinoya in Guguan is infused with the imagery of a "Water Garden." It features natural mountain springs that create winding waterways, and the gentle flow of water maintains a clear and bright surface. Whether in the pond area, library, restaurant, or tea room, guests can be close to the water, allowing them to experience a tranquil and comfortable space and atmosphere. Landscape by studio on site / Architecture by Dong Environment Research Institute / Lighting by ICE Urban Environment Lighting.

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虹夕諾雅谷關II HOSHINOYA GUGUAN II

二訪谷關，從下訂時的天下太平到年中的疫情紛亂，幸運的是入住時期已趨緩近零，也趕上了中秋節尾端的活動，算是增添一點年節氣氛，谷關也是適合不同時節皆能到訪的地方，感受季節色葉的變換、山林的光黎及不同的年節活動，也在此感謝飯店人員的細心協助與招待。本篇著重在紀錄家人生活與活動點滴，空間佈局及場所氛圍可移至前篇閱覽。《幻月中秋》《畫扇詩人》《草花散策》《心蘊種子》《氣循森呼吸》

淚滴公園 TEARDROP PARK

位處曼哈頓島下城區的淚滴公園，為100%人造公園，基盤為填海造陸而成，四周環繞建築群樓。也鑑於此，設計師運用北端較高的地勢與脫離南端的建築，因而得以留設較大面的草坪空間，藉此將陽光引入。而南北之間隔著一道人工砌石牆，兼具收拾地勢高差與彰顯四季變換的表情。每塊石頭加工後依照設計線條於礦場試排模擬，最後再運至公園內按編號砌築。 Tear Drop Park, located in the Lower Manhattan area, is a 100% man-made park, built on land reclaimed from the sea, surrounded by a cluster of buildings. Given this context, the designer utilized the higher terrain at the northern end and the separation from the buildings at the southern end to create a larger lawn space, allowing sunlight to enter. A man-made stone wall separates the north and south, serving both to manage the elevation difference and to highlight the changing seasons. Each stone was processed and arranged according to design lines in a quarry for simulation, and then transported to the park to be constructed according to a numbering system.

Museum of Modern Art

現代藝術博物館是一所在美國紐約市曼哈頓中城的博物館，也是世界上最傑出的現代藝術收藏之一。位於曼哈頓西第53街，在第五和第六大道之間，此博物館經常與大都會博物館相提並論，雖館藏少於前者，但在現代藝術的領域裡，該館擁有較多重要的收藏。

寒舍艾麗 Humble House

艾麗，由國泰集團二代－寒舍主人的夫人命名，飯店由HBA Hirsch Bedner Associates全球最大設計顧問之一負責室內設計，營造城市中的花園為主題，呈現細緻優雅的空間氛圍，館內匯集國際藝術家經典作品，讓藝術創作融入空間詮釋，致力於打造「藝術即生活」及「生活即藝術」的品味哲學。

明治神宮 Meiji Jingū

明治神宮在2020年已邁入100周年，神宮建造時，計畫未來能成為完全的仿生自然林。７０公頃的林木的種植計畫是仿造自然生態的自生自滅、自給自足「自然更新」法，經過精密計算樹木盛衰營造所要的林相景觀，初建期以代表權威的松樹群為主樹層，數十年後柏樹群成為上層主樹，接著百年後是常綠喬木闊葉樹，如椎樹、橡樹、櫧樹、楠樹、樟樹、櫟樹等，從全國各地募集這些適合東京地形氣候溫度等，當時還有從中國東北部朝鮮國等進口樹種。 Meiji Shrine celebrated its 100th anniversary in 2020. When the shrine was constructed, the plan was to eventually create a fully biomimetic natural forest. The 70-hectare tree planting plan was designed to mimic the self-sustaining and self-renewing "natural regeneration" method of natural ecosystems. Through precise calculations of tree growth and decline, the desired forest landscape was created. In the initial phase, the dominant tree layer consisted of authoritative pine trees, and after several decades, cedar trees became the upper dominant layer. A century later, evergreen broadleaf trees such as chinquapin, oak, zelkova, camphor, and other species would take over. Trees suitable for Tokyo's terrain and climate were collected from various regions across the country, and at that time, tree species were also imported from Northeast China and Korea.

內田歌德/廚菓子黑木

東京大學本鄉校區內幾棟因關東大地震毀損的建築，由建築科教授後來成為總長的內田祥三建築師主導重建。曲線流暢的拱門和石刻方柱風格，被稱為「內田歌德」（内田ゴシック）。

TEAMLAB PLANETS TOKYO

teamLab是創立於2001年的藝術團隊，由跨領域專業人士聚集而成，目標通過共同創作的行為融合藝術、科學、技術、設計、以及自然界。團隊成員包括藝術家、工程師、CG動畫師、數學家、建築師等。豐洲展館為2018年開幕，集結光影體感的藝術作品，本館更加入了水的互動元素，重置人的感官體驗，與作品融為一體。「Plants是為了讓人重新思考與世界的關係，盡力將每個作品做到極致，使人忘我地沉浸其中」－teamLab創辦人　豬子壽之 teamLab is an art collective founded in 2001, composed of professionals from various fields, aiming to integrate art, science, technology, design, and nature through collaborative creation. The team includes artists, engineers, CG animators, mathematicians, architects, and more. The Toyosu Pavilion, which opened in 2018, features art installations that combine light, shadow, and sensory experiences, and incorporates interactive water elements to reset human sensory experiences, merging the audience with the artwork. "Plants is designed to encourage people to rethink their relationship with the world, striving to perfect each piece so that one can immerse themselves and lose track of time," said teamLab founder Toshiyuki Inoko.

樁森 Tsubakimori Komuna

樁森為在千葉市中心，與千葉公園隔著一條高架電車路網，為一袖珍型開放空間。樁森內宛若家院般的元素隨處可見，樹屋、吊床、帳篷以及錯落的座椅配置等，可隨著地上枕木的交錯引導至各處的小屋節點，也可踩踏著碎木塊及樹木皮鬆填材，隨興的找塊角落歇憩。 Tsang Sen is a miniature open space located in the center of Chiba City, separated from Chiba Park by an elevated tram network. Elements reminiscent of a home garden can be found throughout Tsang Sen, including tree houses, hammocks, tents, and scattered seating arrangements. Visitors can navigate through various small cabin nodes guided by the interspersed wooden sleepers on the ground, or they can step on the wood chips and loose tree bark filling materials to casually find a corner to rest.

做為世界金融中心，紐約也曾是美國的工業製造重鎮。1870年代，工業革命後美國開始流行鑄鐵建築，鋼梁大跨距的結構強度取代傳統木樑，藉由鋼樑創造出挑高無隔間的空間，正適合做為廠房倉儲之用，擁有船運地利之便的紐約便開始於沿岸發展出工業區。20世紀初紐約工業區逐漸落寞，取而代之汽車貨運工業興起，高架鐵道的機能逐漸被取代，並於80年代停駛，面臨被拆除的危機。之後發展由當地居民發起非營利性的組織 — Friends of the High Line（高線之友，FHL），在市民的推動下，決定保存這段工業史，改建成為全長約2.3公里的帶狀公園──由 James Corner Field Operations 規劃景觀，Diller Scofidio+Renfro 活化建築，Piet Oudolf 設計植栽。

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