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2020
烏山頭水庫暨嘉南大圳水利系統完工於西元1930 年,由嘉南大圳之父-八田與一設計,曾文溪渡槽橋建造於1929 年,為嘉南大圳水利系統南幹線其中一座輸水橋樑,渡槽為跨越河渠、溪谷、窪地和道路的架空水槽,曾文溪渡槽橋除輸水之外,曾文溪渡槽橋曾經為省道台一線的連接橋梁,兼具「輸水管路」和「交通道路」兩種功能。
勤美之森
2025
OMO5 Tokyo Otsuka By Hoshino R
2024
OMO5大塚,以大塚站與荒川線為鄰,旅店以電車為元素布置。
KITAYA PARK北谷公園
2024
北谷公園『Kitaya Park』為東急集團、株式會社與日建設計所組團隊於2021年改造完成,配合近年東京都修改都市公園法, Park-PFI公募設置管理制度,賦予私人企業開發與經營權,換取公共空間的改善或公共建設的互利模式,尤其北谷公園這塊從原有法定容積2%上限值提高至12%,更對原有腹地不大的地塊成為一大助力。 北谷公園的另一大特色為地形的高低段位差,地塊設計利用花台與階梯的錯落保留了通透的視野,而視野最佳的位置則留給了目前外包經營的Blue Bottle。本案從前期開發整合到因應地形設計至最後運營管理皆全盤考慮,使北谷公園雖為口袋鄰里公園尺度,但軟硬體兼顧的全方位策略是極其成功的關鍵因素。 Kitaya Park was transformed in 2021 by a team from the Tokyu Group and Nikken Sekkei. This project aligns with recent amendments to Tokyo's Urban Park Law, which introduced the Park-PFI public offering management system, granting private enterprises the rights to develop and operate parks in exchange for improvements to public spaces or mutual benefits in public construction. Notably, the allowable floor area ratio for Kitaya Park was increased from the original statutory limit of 2% to 12%, providing significant support for the relatively small plot of land. Another major feature of Kitaya Park is the variation in elevation across the terrain. The design of the site incorporates flower beds and staggered steps to maintain an open view, with the best vantage point reserved for the currently outsourced operator, Blue Bottle. The project considered everything from initial development integration to terrain-responsive design and final operational management, making Kitaya Park, despite its small neighborhood park scale, a highly successful example of a comprehensive strategy that balances both soft and hard elements.
ONE@TOKYO
2018
ONE@TOKYO位在東京都押上站附近,由材料運用大師隈研吾所操刀設計,迎賓大門立面及露台機房外飾面皆以木構板材搭配不鏽鋼鐵件構成。旅店內充滿著角型元素所構成的設施,如迎賓大門刻意斜向形塑成三角形的風除室、一樓大廳家具、露台動線甚至是房間收納空間等,強烈展現建築師特有的風格。 ONE@TOKYO is located near Oshiage Station in Tokyo and is designed by master of material application Kengo Kuma. The entrance facade and the exterior of the terrace machinery room are constructed with wooden panels combined with stainless steel components. The hotel is filled with facilities composed of angular elements, such as the intentionally slanted triangular shape of the entrance vestibule, the furniture in the first-floor lobby, the flow of the terrace, and even the storage space in the rooms, all strongly showcasing the architect's unique style.
關稅同盟煤礦工業 kokerei zollverein
2018
關稅同盟煤礦工業建築群位於德國埃森北部,為歷史性工業紀念物,並在2001年為聯合國教科文組織指定世界遺產,同年成立關稅同盟發展責任有限公司,如關稅同盟基金會與工業紀念物歷史文化保存基金會等,為這個已不再運作的工業建築群作保存與再利用。
Miyashita Park
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帝國大廈Empire State Building
2016
世界上第51高的摩天大樓,也是保持世界最高建築地位最久的摩天大樓(1931-1972年)。樓高381公尺、103層,於1951年增添的天線高62公尺,提高其總高度至443公尺,由Shreeve, Lamb, and Harmon建築公司設計,為裝飾風藝術建築,大樓於1930年動工,於1931年落成,建造過程僅410日,有著世上罕見的建造速度紀錄。
古根漢美術館Guggenheim Museum
2016
古根漢博物館位於紐約上東區,緊鄰中央公園,博物館由Frank Lloyd Wright 所設計。整體來說館內作品以個人收藏為主,單論作品及票價對一般遊客而言,或許MOMA會更為適合,古根漢吸引我的反而是藉由迴廊空間去閱讀遊客賞析作品與互動的表情。
慶應義塾 KEIO UNIVERSITY
2017
慶應義塾大學為日本文部科學省超級國際化大學計劃中的頂尖型指定校,與早稻田大學並列早慶(慶早)。慶應的創辦人是一萬日圓鈔票上的頭像「福澤諭吉」。1858年時明治時代六大教育家之一 福澤諭吉 開設「蘭塾」,向荷蘭學習西方的科學技術,就是慶應大學的前身,而後福澤諭吉自學英語,又隨著使節團遊歷歐美,受到西方科學與自由民主風氣影響非常深。 本次造訪的屋上庭院,為巴黎景觀建築事務所MDP(Michel Desvigne Paysagiste)團隊於2004-2005於校建屋頂打造,腹地600平方米,敷地計畫選用石材圓形簍空切割搭配幾何矩陣式排列,與低多分枝紅楓交織視覺層次,植栽的選用也為規整的庭院增添了季節色彩上的變化。 Keio University is a designated top-tier institution under Japan's Ministry of Education, Culture, Sports, Science and Technology's Super Global University Project, alongside Waseda University, forming the prestigious "Keio-Waseda" alliance. The founder of Keio is Yukichi Fukuzawa, whose portrait appears on the 10,000 yen banknote. In 1858, Fukuzawa, one of the six great educators of the Meiji era, established "Ranju," where he learned Western science and technology from the Dutch, which became the precursor to Keio University. Later, he self-studied English and traveled to Europe and America with a diplomatic mission, deeply influenced by Western science and the spirit of liberal democracy. The rooftop garden visited this time was created by the Parisian landscape architecture firm MDP (Michel Desvigne Paysagiste) between 2004 and 2005. Covering an area of 600 square meters, the design features circular stone cutouts arranged in a geometric matrix, interwoven with low-branched red maples, creating a visual layering effect. The selection of plants also adds seasonal color variations to the orderly garden.
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