月世界

東京大學本鄉校區內幾棟因關東大地震毀損的建築，由建築科教授後來成為總長的內田祥三建築師主導重建。曲線流暢的拱門和石刻方柱風格，被稱為「內田歌德」（内田ゴシック）。

teamLab是創立於2001年的藝術團隊，由跨領域專業人士聚集而成，目標通過共同創作的行為融合藝術、科學、技術、設計、以及自然界。團隊成員包括藝術家、工程師、CG動畫師、數學家、建築師等。豐洲展館為2018年開幕，集結光影體感的藝術作品，本館更加入了水的互動元素，重置人的感官體驗，與作品融為一體。「Plants是為了讓人重新思考與世界的關係，盡力將每個作品做到極致，使人忘我地沉浸其中」－teamLab創辦人　豬子壽之 teamLab is an art collective founded in 2001, composed of professionals from various fields, aiming to integrate art, science, technology, design, and nature through collaborative creation. The team includes artists, engineers, CG animators, mathematicians, architects, and more. The Toyosu Pavilion, which opened in 2018, features art installations that combine light, shadow, and sensory experiences, and incorporates interactive water elements to reset human sensory experiences, merging the audience with the artwork. "Plants is designed to encourage people to rethink their relationship with the world, striving to perfect each piece so that one can immerse themselves and lose track of time," said teamLab founder Toshiyuki Inoko.

仿效西班牙Tussols Basil Athletics Stadium田徑場旁休憩平台，以鏽蝕鋼筋格柵的高架鋪面取代原有車輛路徑，遊客可近距離觀察鋪面下方被保留的原始地貌，同時也拉開與生物棲地形塑喘息空間，伴隨兩旁感應式的間接光，使遊客沉浸在隧道內疊水逕流與光影交織。 Inspired by the resting platform next to the Tussols Basil Athletics Stadium in Spain, the original vehicle path is replaced with an elevated surface made of rusted steel grating. Visitors can closely observe the preserved original terrain beneath the surface, while also creating a breathing space away from the biological habitat. Accompanied by indirect lighting on both sides that responds to movement, visitors are immersed in the interplay of flowing water and light and shadow within the tunnel.

Greenacre Park沿街寬約18米，進深約36米，作為一個良好的城市公共空間，巧妙利用的園林樹木和植物，結合水景地形，形成豐富多層次的休閒空間。由景觀設計事務所Sasaki的創始人佐佐木英夫設計。 Greenacre Park is approximately 18 meters wide along the street and about 36 meters deep. As a well-designed urban public space, it cleverly utilizes landscaped trees and plants, combined with water features, to create a rich and multi-layered recreational area. It was designed by Hideo Sasaki, the founder of the landscape design firm Sasaki.

吉利群島，當地陸上交通工具以馬車與自行車為主，島嶼本身不大，騎車環島一趟約40分鐘而已，來這的目的多半不外乎是浮潛、陽光浴和抽水煙，值得讚許的是就算小島本身資源匱乏且已成度假勝地，但街上佈景佈置與指標卻很難看到便品加工，仍保有許多手造的溫度。 The Gili Islands primarily use horse-drawn carriages and bicycles for local transportation. The islands themselves are not large, and it takes about 40 minutes to cycle around them. The main purposes for visiting are usually snorkeling, sunbathing, and smoking shisha. It is commendable that even though the small island has limited resources and has become a vacation destination, it is still difficult to find mass-produced items in the street decorations and signage, which retain a lot of handmade warmth.

現代藝術博物館是一所在美國紐約市曼哈頓中城的博物館，也是世界上最傑出的現代藝術收藏之一。位於曼哈頓西第53街，在第五和第六大道之間，此博物館經常與大都會博物館相提並論，雖館藏少於前者，但在現代藝術的領域裡，該館擁有較多重要的收藏。

關稅同盟煤礦工業建築群位於德國埃森北部，為歷史性工業紀念物，並在2001年為聯合國教科文組織指定世界遺產，同年成立關稅同盟發展責任有限公司，如關稅同盟基金會與工業紀念物歷史文化保存基金會等，為這個已不再運作的工業建築群作保存與再利用。

酒店位在努沙杜瓦地區南岸，依靠峭壁居高臨下，坐擁海天一色與整片白沙美景。而入口大廳平視遠眺印度洋，近看俯覽整座渡假村全貌，以順應地形引導視覺焦點與賦予衝擊性抵達體驗的感官營造，並以大量的植栽綠蔭柔化建築群樓的剛性，故足以滿足三百餘間套房的需求，同時保有隱世離塵的氛圍，維持一冠注重層峰客群感知的細膩設計。

位於美國紐約市曼哈頓中城，為大都會北方鐵路的地下化鐵路車站，可與紐約地鐵的大中央-42街車站轉乘7號線、萊辛頓大道線及S線。該站占地面積48英畝，與賓夕法尼亞車站同為大紐約地區重要的交通樞紐，也是美國最繁忙、最著名的鐵路車站之一。