乘著纜車俯覽整片山坡上的葡萄園，兩端連接著河畔旁斑鳩小巷與坡頂的尼德瓦德展望台
不同於國內的纜車，這裡的形式反倒如台車般的簡易許多，
除頂蓋遮蔭以及頭尾透明玻璃遮擋外，提供幾近全開放式的視野。
呂德斯海姆Rudesheim
呂德斯海姆建於12世紀，當時已是通往萊茵河中流山谷的大門。有「酒城」之稱的呂德斯海姆是萊茵河上的樂園，這裡是萊茵區的中心區，也稱葡萄酒區，年產2700萬瓶葡萄酒。河畔為了維持景觀和諧，都沒有任何橋梁，靠渡輪往來兩岸。
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Meiji Shrine celebrated its 100th anniversary in 2020. When the shrine was constructed, the plan was to eventually create a fully biomimetic natural forest. The 70-hectare tree planting plan was designed to mimic the self-sustaining and self-renewing "natural regeneration" method of natural ecosystems. Through precise calculations of tree growth and decline, the desired forest landscape was created. In the initial phase, the dominant tree layer consisted of authoritative pine trees, and after several decades, cedar trees became the upper dominant layer. A century later, evergreen broadleaf trees such as chinquapin, oak, zelkova, camphor, and other species would take over. Trees suitable for Tokyo's terrain and climate were collected from various regions across the country, and at that time, tree species were also imported from Northeast China and Korea.
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Inspired by the resting platform next to the Tussols Basil Athletics Stadium in Spain, the original vehicle path is replaced with an elevated surface made of rusted steel grating. Visitors can closely observe the preserved original terrain beneath the surface, while also creating a breathing space away from the biological habitat. Accompanied by indirect lighting on both sides that responds to movement, visitors are immersed in the interplay of flowing water and light and shadow within the tunnel.
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有一種美學，稱為安縵美學；
有一群追隨者，叫做「安縵痴」（Aman Junkie）。
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There is an aesthetic known as Aman aesthetics;
There is a group of followers called "Aman Junkies."
Aman Tokyo is located in the financial district of Otemachi, Tokyo, within a complex of commercial buildings. It was designed by the late luxury hotel design master Kerry Hill. The overall design is understated and discreet, hidden between the 33rd and 38th floors. The lobby features natural light introduced through a skylight and incorporates traditional Japanese paper craft, accompanied by a warm yellow glow that falls softly, complemented by dark stone walls, exuding a sense of restraint and Zen.
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從淺草方向出發的話，可不用看導航輕易的將晴空塔當遠方標的行走，且在橋上伴隨著上方電車與下方川流的船舶行駛十分有趣。
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『南華微光』
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本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。
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『南華微光』
基地原址為南華國小，停辦後轉型為無人機專業操作訓練場與農創基地。設計團隊融入北大武山山脈稜線的起伏與霧氣沿山嵐草坡而下的記憶，重現在這片場域。
本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。
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The color tone in this piece presents a lower saturation, aiming to respond to the poetic quality of the landscape, reminiscent of ink wash painting.
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