韋斯特姆水塔飯店Hotel IM Wasserturm Köln
飯店位在科隆老城區中心，為一座歷史悠久的水塔改建而成，總樓高35公尺，頂樓為餐廳及酒廊。
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東京安縵AMAN TOKYO
2017
有一種美學，稱為安縵美學；
有一群追隨者，叫做「安縵痴」（Aman Junkie）。
Aman Tokyo 座落在東京都金融區大手町的商辦建築群中，由已故奢華酒店設計大師Kerry Hill操刀，整體設計低調隱密，藏於樓高33F至38F之間，迎賓大廳採光引介天頂和紙文化工藝，伴隨暖黃色光暈灑落，配合壁面深色石材，充滿內斂與禪意。
There is an aesthetic known as Aman aesthetics;
There is a group of followers called "Aman Junkies."
Aman Tokyo is located in the financial district of Otemachi, Tokyo, within a complex of commercial buildings. It was designed by the late luxury hotel design master Kerry Hill. The overall design is understated and discreet, hidden between the 33rd and 38th floors. The lobby features natural light introduced through a skylight and incorporates traditional Japanese paper craft, accompanied by a warm yellow glow that falls softly, complemented by dark stone walls, exuding a sense of restraint and Zen.
隆田地景
2020
對於一片封塵二十餘年的土地，我們有甚麼盼望，又會賦予它甚麼想像…一直以來這是我們在規劃時不停思索的課題，並且設計時咀嚼在地元素的反饋，我想這就是我們對這片土地的尊重，以及展現地景地貌的關懷。
虹夕諾雅 谷關II HOSHINOYA GUGUAN II
2021
二訪谷關，從下訂時的天下太平到年中的疫情紛亂，幸運的是入住時期已趨緩近零，也趕上了中秋節尾端的活動，算是增添一點年節氣氛，谷關也是適合不同時節皆能到訪的地方，感受季節色葉的變換、山林的光黎及不同的年節活動，也在此感謝飯店人員的細心協助與招待。本篇著重在紀錄家人生活與活動點滴，空間佈局及場所氛圍可移至前篇閱覽。
《幻月中秋》《畫扇詩人》《草花散策》《心蘊種子》《氣循森呼吸》
日光．嶼南
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SUNLIGHT ON THE PENINSULA
美因河畔法蘭克福Frankfurt am Main
2018
法蘭克福，正式全名為美因河畔法蘭克福，是德國中西部黑森邦的第一大城市，也是德國第五大城。
Greenacre Park
2016
Greenacre Park沿街寬約18米，進深約36米，作為一個良好的城市公共空間，巧妙利用的園林樹木和植物，結合水景地形，形成豐富多層次的休閒空間。由景觀設計事務所Sasaki的創始人佐佐木英夫設計。
Greenacre Park is approximately 18 meters wide along the street and about 36 meters deep. As a well-designed urban public space, it cleverly utilizes landscaped trees and plants, combined with water features, to create a rich and multi-layered recreational area. It was designed by Hideo Sasaki, the founder of the landscape design firm Sasaki.
士林萬麗 RENAISSANCE TAIPEI SHIHLIN
2021
士林萬麗，為萬豪集團旗下首次入駐台灣的品牌，由皇翔建設BOT承攬發包。由於置身於士林官邸旁，在裝潢設計上也融合了在地特色，將士林官邸裡的玫瑰和蝴蝶運用光影裝飾，點綴在穿廊與房間的各個角落。
ONE@TOKYO
2018
ONE@TOKYO位在東京都押上站附近，由材料運用大師隈研吾所操刀設計，迎賓大門立面及露台機房外飾面皆以木構板材搭配不鏽鋼鐵件構成。旅店內充滿著角型元素所構成的設施，如迎賓大門刻意斜向形塑成三角形的風除室、一樓大廳家具、露台動線甚至是房間收納空間等，強烈展現建築師特有的風格。
ONE@TOKYO is located near Oshiage Station in Tokyo and is designed by master of material application Kengo Kuma. The entrance facade and the exterior of the terrace machinery room are constructed with wooden panels combined with stainless steel components. The hotel is filled with facilities composed of angular elements, such as the intentionally slanted triangular shape of the entrance vestibule, the furniture in the first-floor lobby, the flow of the terrace, and even the storage space in the rooms, all strongly showcasing the architect's unique style.
麗思卡爾頓THE RITZ-CARLTON, BALI
2018
酒店位在努沙杜瓦地區南岸，依靠峭壁居高臨下，坐擁海天一色與整片白沙美景。而入口大廳平視遠眺印度洋，近看俯覽整座渡假村全貌，以順應地形引導視覺焦點與賦予衝擊性抵達體驗的感官營造，並以大量的植栽綠蔭柔化建築群樓的剛性，故足以滿足三百餘間套房的需求，同時保有隱世離塵的氛圍，維持一冠注重層峰客群感知的細膩設計。
OMO3 Asakusa by Hoshino Resorts
2024
2024年安排了久違的旅行，也是一趟試水溫壓力測試。
本次下榻的旅店是星野集團旗下品牌的OMO3淺草，其特色是緊鄰淺草寺以及屋上餐廳與露臺，做為在緊湊的東京住宿選擇上，開放空間的有無與舒適度會是一直以來的首要考量，一個類起居的空間對於界定放鬆休憩與外出著裝上陣的拘謹何嘗不是一種奢求。
In 2024, I have planned a long-awaited trip, which will also serve as a test of my comfort and stress levels. The hotel I will be staying at is OMO3 Asakusa, a brand under the Hoshino Group.
Its features include being located right next to Senso-ji Temple, as well as having a rooftop restaurant and terrace.
When it comes to choosing accommodations in the compact city of Tokyo, the presence and comfort of open spaces have always been a top priority.
A space that resembles a living area can indeed be a luxury, as it helps to define the boundaries between relaxation and the constraints of dressing up for outings.