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北谷公園『Kitaya Park』為東急集團、株式會社與日建設計所組團隊於2021年改造完成，配合近年東京都修改都市公園法， Park-PFI公募設置管理制度，賦予私人企業開發與經營權，換取公共空間的改善或公共建設的互利模式，尤其北谷公園這塊從原有法定容積2%上限值提高至12%，更對原有腹地不大的地塊成為一大助力。 北谷公園的另一大特色為地形的高低段位差，地塊設計利用花台與階梯的錯落保留了通透的視野，而視野最佳的位置則留給了目前外包經營的Blue Bottle。本案從前期開發整合到因應地形設計至最後運營管理皆全盤考慮，使北谷公園雖為口袋鄰里公園尺度，但軟硬體兼顧的全方位策略是極其成功的關鍵因素。 Kitaya Park was transformed in 2021 by a team from the Tokyu Group and Nikken Sekkei. This project aligns with recent amendments to Tokyo's Urban Park Law, which introduced the Park-PFI public offering management system, granting private enterprises the rights to develop and operate parks in exchange for improvements to public spaces or mutual benefits in public construction. Notably, the allowable floor area ratio for Kitaya Park was increased from the original statutory limit of 2% to 12%, providing significant support for the relatively small plot of land. Another major feature of Kitaya Park is the variation in elevation across the terrain. The design of the site incorporates flower beds and staggered steps to maintain an open view, with the best vantage point reserved for the currently outsourced operator, Blue Bottle. The project considered everything from initial development integration to terrain-responsive design and final operational management, making Kitaya Park, despite its small neighborhood park scale, a highly successful example of a comprehensive strategy that balances both soft and hard elements.

『南華微光』 基地原址為南華國小，停辦後轉型為無人機專業操作訓練場與農創基地。設計團隊融入北大武山山脈稜線的起伏與霧氣沿山嵐草坡而下的記憶，重現在這片場域。 本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。 設計單位：一起設計Atelier Let’s+丁尺建築師事務所JR Architects 設計顧問：和光接物環境建築設計 結構設計：圓剛工程顧問有限公司 燈光設計：瓦豆WEDO Lighting 植栽設計：原生環境設計整合 施工單位：久騰營造有限公司 『南華微光』 基地原址為南華國小，停辦後轉型為無人機專業操作訓練場與農創基地。設計團隊融入北大武山山脈稜線的起伏與霧氣沿山嵐草坡而下的記憶，重現在這片場域。 本篇色調上呈現較低飽和度，也是想藉此回應本次地景宛若潑墨山水般的詩意。 The original site of the base was Nan Hua Elementary School, which was transformed into a professional drone operation training ground and an agricultural innovation base after its closure. The design team incorporated the undulating ridges of the Beidawu Mountain range and the memory of mist flowing down the grassy slopes, recreating this landscape. The color tone in this piece presents a lower saturation, aiming to respond to the poetic quality of the landscape, reminiscent of ink wash painting.

360顧名思義就是有360度全景，位於約翰漢考克中心 94 樓的觀景台，設置可傾斜達30的玻璃瞭望平台，可從 1000 英尺的高度俯瞰市景。

胖精靈 Chubby-ELF 精品花藝 婚禮佈置 / 乾燥花 /花藝教學/ 整體視覺規劃設計

有一種美學，稱為安縵美學； 有一群追隨者，叫做「安縵痴」（Aman Junkie）。 Aman Tokyo 座落在東京都金融區大手町的商辦建築群中，由已故奢華酒店設計大師Kerry Hill操刀，整體設計低調隱密，藏於樓高33F至38F之間，迎賓大廳採光引介天頂和紙文化工藝，伴隨暖黃色光暈灑落，配合壁面深色石材，充滿內斂與禪意。 There is an aesthetic known as Aman aesthetics; There is a group of followers called "Aman Junkies." Aman Tokyo is located in the financial district of Otemachi, Tokyo, within a complex of commercial buildings. It was designed by the late luxury hotel design master Kerry Hill. The overall design is understated and discreet, hidden between the 33rd and 38th floors. The lobby features natural light introduced through a skylight and incorporates traditional Japanese paper craft, accompanied by a warm yellow glow that falls softly, complemented by dark stone walls, exuding a sense of restraint and Zen.

K Tower位在東京都港區赤坂町商辦大樓林立的都市空間內，景觀由總部同位在赤坂的LANDSCAPE DESIGN事務所設計，以仿似瑪雅古文明的染色預鑄混凝土板堆砌而成的端景，搭配三面磨石子的鏡面水景，藉此對應現代簡約的格狀建築立面，除本身極富視覺感的表情，更能體現出極緻的工藝品質與職人精神。 K Tower is located in a bustling urban space filled with office buildings in Akasaka, Minato, Tokyo. The landscape was designed by the LANDSCAPE DESIGN office, which is also based in Akasaka. It features a striking end view made of dyed precast concrete panels that resemble ancient Mayan civilization, complemented by a three-sided polished stone mirror water feature. This design corresponds to the modern minimalist grid facade of the building, showcasing not only a visually rich expression but also embodying exquisite craftsmanship and the spirit of artisanship.

酒店位在努沙杜瓦地區南岸，依靠峭壁居高臨下，坐擁海天一色與整片白沙美景。而入口大廳平視遠眺印度洋，近看俯覽整座渡假村全貌，以順應地形引導視覺焦點與賦予衝擊性抵達體驗的感官營造，並以大量的植栽綠蔭柔化建築群樓的剛性，故足以滿足三百餘間套房的需求，同時保有隱世離塵的氛圍，維持一冠注重層峰客群感知的細膩設計。

2024年安排了久違的旅行，也是一趟試水溫壓力測試。 本次下榻的旅店是星野集團旗下品牌的OMO3淺草，其特色是緊鄰淺草寺以及屋上餐廳與露臺，做為在緊湊的東京住宿選擇上，開放空間的有無與舒適度會是一直以來的首要考量，一個類起居的空間對於界定放鬆休憩與外出著裝上陣的拘謹何嘗不是一種奢求。 In 2024, I have planned a long-awaited trip, which will also serve as a test of my comfort and stress levels. The hotel I will be staying at is OMO3 Asakusa, a brand under the Hoshino Group. Its features include being located right next to Senso-ji Temple, as well as having a rooftop restaurant and terrace. When it comes to choosing accommodations in the compact city of Tokyo, the presence and comfort of open spaces have always been a top priority. A space that resembles a living area can indeed be a luxury, as it helps to define the boundaries between relaxation and the constraints of dressing up for outings.