Greenacre Park

Greenacre Park沿街寬約18米，進深約36米，作為一個良好的城市公共空間，巧妙利用的園林樹木和植物，結合水景地形，形成豐富多層次的休閒空間。由景觀設計事務所Sasaki的創始人佐佐木英夫設計。 Greenacre Park is approximately 18 meters wide along the street and about 36 meters deep. As a well-designed urban public space, it cleverly utilizes landscaped trees and plants, combined with water features, to create a rich and multi-layered recreational area. It was designed by Hideo Sasaki, the founder of the landscape design firm Sasaki.

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明治神宮 Meiji Jingū

明治神宮在2020年已邁入100周年，神宮建造時，計畫未來能成為完全的仿生自然林。７０公頃的林木的種植計畫是仿造自然生態的自生自滅、自給自足「自然更新」法，經過精密計算樹木盛衰營造所要的林相景觀，初建期以代表權威的松樹群為主樹層，數十年後柏樹群成為上層主樹，接著百年後是常綠喬木闊葉樹，如椎樹、橡樹、櫧樹、楠樹、樟樹、櫟樹等，從全國各地募集這些適合東京地形氣候溫度等，當時還有從中國東北部朝鮮國等進口樹種。 Meiji Shrine celebrated its 100th anniversary in 2020. When the shrine was constructed, the plan was to eventually create a fully biomimetic natural forest. The 70-hectare tree planting plan was designed to mimic the self-sustaining and self-renewing "natural regeneration" method of natural ecosystems. Through precise calculations of tree growth and decline, the desired forest landscape was created. In the initial phase, the dominant tree layer consisted of authoritative pine trees, and after several decades, cedar trees became the upper dominant layer. A century later, evergreen broadleaf trees such as chinquapin, oak, zelkova, camphor, and other species would take over. Trees suitable for Tokyo's terrain and climate were collected from various regions across the country, and at that time, tree species were also imported from Northeast China and Korea.

SUMIDA RIVER WALK

SUMIDA RIVER WALK連結淺草與晴空塔的步行路徑，特色是跟鐵道架橋共構，所以經過時不時會有著電車震動的共鳴。從淺草方向出發的話，可不用看導航輕易的將晴空塔當遠方標的行走，且在橋上伴隨著上方電車與下方川流的船舶行駛十分有趣。 The SUMIDA RIVER WALK connects Asakusa with the Tokyo Skytree, featuring a walking path that is integrated with the railway bridge, so you can occasionally feel the vibrations from passing trains. If you start from the Asakusa direction, you can easily walk towards the Skytree without needing to look at a map, and it is quite interesting to see the trains above and the boats flowing below as you walk on the bridge.

千禧公園Millennium Park

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古根漢美術館Guggenheim Museum

古根漢博物館位於紐約上東區，緊鄰中央公園，博物館由Frank Lloyd Wright 所設計。整體來說館內作品以個人收藏為主，單論作品及票價對一般遊客而言，或許MOMA會更為適合，古根漢吸引我的反而是藉由迴廊空間去閱讀遊客賞析作品與互動的表情。

Vila Ombak Hotel－Gili Island

吉利群島，當地陸上交通工具以馬車與自行車為主，島嶼本身不大，騎車環島一趟約40分鐘而已，來這的目的多半不外乎是浮潛、陽光浴和抽水煙，值得讚許的是就算小島本身資源匱乏且已成度假勝地，但街上佈景佈置與指標卻很難看到便品加工，仍保有許多手造的溫度。 The Gili Islands primarily use horse-drawn carriages and bicycles for local transportation. The islands themselves are not large, and it takes about 40 minutes to cycle around them. The main purposes for visiting are usually snorkeling, sunbathing, and smoking shisha. It is commendable that even though the small island has limited resources and has become a vacation destination, it is still difficult to find mass-produced items in the street decorations and signage, which retain a lot of handmade warmth.

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TEAMLAB PLANETS TOKYO

teamLab是創立於2001年的藝術團隊，由跨領域專業人士聚集而成，目標通過共同創作的行為融合藝術、科學、技術、設計、以及自然界。團隊成員包括藝術家、工程師、CG動畫師、數學家、建築師等。豐洲展館為2018年開幕，集結光影體感的藝術作品，本館更加入了水的互動元素，重置人的感官體驗，與作品融為一體。「Plants是為了讓人重新思考與世界的關係，盡力將每個作品做到極致，使人忘我地沉浸其中」－teamLab創辦人　豬子壽之 teamLab is an art collective founded in 2001, composed of professionals from various fields, aiming to integrate art, science, technology, design, and nature through collaborative creation. The team includes artists, engineers, CG animators, mathematicians, architects, and more. The Toyosu Pavilion, which opened in 2018, features art installations that combine light, shadow, and sensory experiences, and incorporates interactive water elements to reset human sensory experiences, merging the audience with the artwork. "Plants is designed to encourage people to rethink their relationship with the world, striving to perfect each piece so that one can immerse themselves and lose track of time," said teamLab founder Toshiyuki Inoko.

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